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The Musical Grant Program

Start a new music project

The Musical Grant Program

The Musical Grant Program awards grants to support the creative musical activity of Bay Area performers, composers and presenters whose projects focus specifically on music for the small ensemble. 

Congratulations to the 2021 Musical Grant Program Recipients!

Meet the 29 recipients below and discover what new projects are soon to come to the Bay Area.

2021 Musical Grant Recipients
Past MGP Recipients
MGP Applicant Guide
MGP Reporting

2022 MGP Recipients

The InterMusic SF Musical Grant Program is made possible through support from the San Francisco Grants for the Arts, the Clarence E. Heller Foundation, the William and Flora Hewlett Foundation, and generous individual donors of InterMusic SF. Since 2008, InterMusic SF  has awarded more than $950,000 to help support 321 projects in the Greater Bay Area.

Saul Sierra Combo

jazz

MGP Project Description

Saul Sierra Combo will record and premiere a new contemporary jazz composition suite encompassing styles from Brazil, Peru, Venezuela, Mexico, Cuba, and Puerto Rico.

Nash Baroque

early music, dance

MGP Project Description

Nash Baroque will collaborate with Dance Through Time on performances of Italian baroque music, dance, and pantomime of the 18th-century Italian theater in May of 2023 at St. Mark’s Lutheran Church, San Francisco and St. Mark’s Episcopal Church, Berkeley.

Nicholas Phan Recording Projects

classical, vocal

MGP Project Description

Tenor Nicholas Phan will perform, record & film fourteen tenor arias by Johann Sebastian Bach in venues around San Francisco. Videos will be released as part of a weekly podcast, featuring interviews with musicians, Bach scholars, and audience members. Collaborators for these films will include SF-based musicians Corey Jamason (organ), Elisabeth Reed (cello), and Owen Dalby (violin), as well as the early music ensemble Ruckus, and oboist Debra Nagy.

Amateur Music Network

Jazz

MGP Project Description

Amateur Music Network’s Making Music with Destiny Muhammad project will be a two-hour hybrid in-person/online program with the Destiny Muhammad Trio at Little Mission Studio in San Francisco, September 2022.

Mo'Fone

Jazz

MGP Project Description

Mo’Fone will record and produce their fourth full-length album featuring compositions by all three members, Jeremy Steinkoler, Larry De La Cruz, Jim Peterson, culminating in an album release performance.

Brett Carson

new music

MGP Project Description

Brett Carson will premiere “The Secret Life of the Paramecium,” a new song cycle to be performed by the quartet Paramecia Occulta, consisting of Amy Foote (soprano), Michelle Lee (flutes), Joshua Marshall (saxophones), and Ramon Fermin (electric guitar).

Carnatic Crossings

contemporary, Indian classical

MGP Project Description

Carnatic Crossings, led by Sruti Sarathy (Indian classical violin, vocals) and Rohan Krishnamurthy (mridangam, multi-percussion) will compose and record new compositions which capture the sound of the South Asian diaspora in the Bay Area. The new repertoire will feature chants, spoken word, and oral recordings, in addition to Carnatic ragas and rhythms, to be released as a debut EP in Fall 2023.

San Francisco International Piano Festival

classical

MGP Project Description

The San Francisco International Piano Festival celebrates its 5th Anniversary season with a series of programs highlighting outstanding pianists, chamber musicians, and composers from the Bay Area and beyond. The festival runs August 18—28, 2022.

Raffi Garabedian Octet

Jazz

MGP Project Description

Raffi Garabedian Octet will record an original eight-song suite, “The Crazy Dog,” an homage to the Garabedian’s late father, adapted from his family’s writings on their escape from the Armenian Genocide and immigration to the United States.

The Bernal Hill Players

contemporary chamber music

MGP Project Description

The Bernal Hill Players will present “Forces of Nature,” a program of contemporary music premiering a new composition by Jennifer Peringer alongside two commissioned works by Davide Verotta and Sarah Stiles. The program will be performed in spring 2023 at Old First Concerts, Piedmont Center for the Arts, and the Center for New Music.

Florante Aguilar & Cascada de Flores

traditional Filipino and Mexican

MGP Project Description

Florante Aguilar and Cascada de Flores will collaborate on a performance and recording featuring original and traditional songs from the Philippines and Mexico highlighting the musical commonalities and connections between these two former colonial subjects of Spain.

The Dynamic Miss Faye Carol & Her Sextet

Jazz

MGP Project Description

The Dynamic Miss Faye Carol will construct a new 90-minute suite of music entitled “Black Music Through The Ages” consisting of 12 pieces exploring jazz, blues, R&B, gospel, and hip-hop from the early 20th century to the present day. In celebration of Black History Month, the event will welcome youth, seniors, low-income and disadvantaged populations to Oakland’s historic Black venue, Geoffrey’s Inner Circle.

Sandy Cressman and Homenagem Brasileira

Jazz

MGP Project Description

Sandy Cressman and Homenagem Brasileira will record a new CD, “Cantos do Povo – The Music of Milton Nascimento,” exploring Nascimento’s body of work which celebrates working people and gives voice to resistance to political oppression. The recording features original arrangements and new compositions inspired by Nascimento’s music and by our current social and political climate.

Lisa Mezzacappa

Jazz

MGP Project Description

Lisa Mezzacappa will compose and produce two final episodes of “The Electronic Lover,” a new audio opera with librettist Beth Lisick. The nine-episode opera has been released as a serial podcast since summer 2020. The final episodes will premiere in winter and spring 2023.

The Living Earth Show / Sharmi Basu

new music

MGP Project Description

Sharmi Basu will compose “Boundaried,” a concert-length work for guitar, percussion, and electronics to be performed and recorded by The Living Earth Show with Basu performing on electronics and released as an album on Earthy Records in 2023.

Scroggins & Rose

chamber folk

MGP Project Description

Chamber folk ensemble, Scroggins & Rose will collaboratively compose and record an EP entitled “Alone/Together,” inspired by humanity’s many months of collective isolation and subsequent emergence.

Sarah Wilson's Brass Tonic

Jazz

MGP Project Description

Sarah Wilson will compose seven new compositions for her jazz ensemble, Brass Tonic, inspired by her Tenderloin Voices project for a workshop performance at The Back Room in Berkeley, May 2023, and a premiere performance at Monterey Jazz Festival, September 2023.

Ensemble ARI / Jungyoon Wie

classical, contemporary

MGP Project Description

Ensemble ARI will commission Jungyoon Wie to compose a new piano trio for a concert highlighting Asian composers in May, 2023 at St. Mary’s College, Moraga. The program features pieces by contemporary Asian composers and arrangements of Korean folk songs.

Roots & Wings/ Gary Muszynski

jazz, global

MGP Project Description

Gary Muszynski will develop a new piece for his Roots & Wings project to premiere at the ensemble’s annual signature concert at the Freight & Salvage, Nov. 17, 2022. The project features Daniel Berkman (kora), Evan Fraser (Ngoni), Joe Hebert (cello), Anthony Blea (violin), Sheldon Brown (bass clarinet), Gary Muszynski (cajon and percussion), Vari Venugopal (raga/jazz vocalist).

Ensemble Mik Nawooj / JooWan Kim

hip-hop, electronic, contemporary

MGP Project Description

Ensemble Mik Nawooj will present the US premiere of  Hip-Hop Orchestra Experience (HHOE) by composer JooWan Kim, Nov 10, 2022 at the San Francisco Asian Art Museum in Samsung Hall.

Quinteto Latino / Carla Lucero

new music

MGP Project Description

Quinteto Latino will commission composer/librettist Carla Lucero to write a work for wind quintet and voices 21V, documenting the lives of long time SF Bay Area Chicana activists, labor leader Dolores Huerta and Olga Talamante, founding member Chicano/Latina Foundation and former co-chair of the board of the National Center for Lesbian Rights.

Past MGP Recipients

2020 - MGP Awards

Chamber Music Silicon Valley

Chamber Music Silicon Valley‘s annual performance of J.S. Bach’s complete Brandenburg Concerti in San Jose, CA will be performed in conjunction with a new, interactive digital media art installation by Iranian, Sunnyvale-based artist Roya Ebtehaj with a professional music-video recording production for all 6 concerti.

 

Citywater

Citywater will present a concert including a world premiere by Griffin Candey, and a multi-media work written for Citywater by Derek Keller. The concert will conclude a residency at Cosumnes River College where Citywater will workshop student works, including a student work selected for the final performance.

 

Cornelius Boots & The Heavy Roots Shakuhachi Ensemble

Cornelius Boots & The Heavy Roots Shakuhachi Ensemble will compose, perform, and record “Wood Prophecy: An Elemental Chamber Symphony” for Bass Shakuhachi Ensemble to premiere April 2021 in San Francisco and Oakland with preview concert-presentations offered at community centers leading up to the performances.

 

Curium Trio

Curium will record and release their debut CD of chamber music repertoire by women composers including Clara Schumann, Germaine Tailleferre, and Amy Beach.

 

Destiny Muhammad

Jazz harpist, Destiny Muhammad will present “The Sound of Social Justice: Remembering the Black Jazz Records Label.” This concert of new compositions inspired by music of The Black Jazz Records Label’s Social Justice Legacy will include a public discussion with Black Jazz Records artist, Calvin Keyes.

 

Ellen Fullman / The Living Earth Show

Ellen Fullman will compose a new collaborative work for The Living Earth Show, “There You Are” featuring Fullman performing on the Long String Instrument, set in an enormous industrial sized space.

 

Gold Coast Chamber Players / Alexander String Quartet

Gold Coast Chamber Players will partner with the Alexander String Quartet to present two concerts and educational activities around the theme “Dvořak’s America” exploring the influence of Spirituals and Native American music on Dvořak’s “American” chamber music. The concerts will feature renowned Native American flutist Mary Youngblood and soprano Alexa Anderson.

 

Jean Fineberg / JAZZphoria Octet

Jean Fineberg will compose and arrange three new pieces for the JAZZphoria octet. The new compositions will be premiered in concert and recorded for JAZZphoria’s debut CD.

 

Joe Warner Trio

Joe Warner will construct a suite of music representing the breadth of African-American music from the early 1900s to the present day collaborating with choreographer Traci Bartlow in a presentation exploring the intersections of instrumental music and movement.

 

Kasey Knudsen Sextet

The Kasey Knudsen Sextet will record and produce their debut recording of original compositions and arrangements by saxophonist Kasey Knudsen taking inspiration from the writings of Oliver Sacks and Truman Capote, the art of Deborah Oropallo, and the films of Federico Fellini.

 

Lisa Mezzacappa

*2020 Cypress Awardee*

Composer Lisa Mezzacappa and librettist Beth Lisick, will produce “The Electronic Lover” a digital opera, set in chat rooms in the early 1980s, to be released as a serial podcast with a live concert finale featuring a versatile and diverse cast of Bay Area vocalists and instrumentalists.

 

Michael Echaniz Group

The Michael Echaniz Group will produce its debut album, “Seven Shades of Violet,” featuring the piano trio; Michael Echaniz, piano and keyboards, Jeff Denson, Bass, and Dillon Vado, drums, with vocalists Danielle Wertz and Jeff Denson and additional instruments including Latin percussion and string quartet.

 

Music is First!

Music is First! will create an album of 18-25 short songs that are used in early education sites throughout the Bay Area as a resource for teachers, parents, and students. The songs are matched with lesson plans and books to align with the California State Preschool Visual and Performing Arts standards,

 

Nippon Kobo Ensemble / Erika Oba

Nippon Kobo, a new Japanese cultural event series that features chamber music performance paired with beverage tastings and visual arts, will present its inaugural. Nippon Kobo Ensemble, a collective of Bay Area musicians, will commission and premiere a new work by Erika Oba, a Japanese-American composer based in Berkeley, along with

 

San Francisco International Piano Festival / New Piano Collective

New Piano Collective will present the 4th-annual San Francisco International Piano Festival directed by pianist Jeffrey LaDeur, partnering with Lieder Alive! and Artist-in-Residence Kindra Scharich to perform chamber music and vocal works of Schubert. 

 

Sl(e)ight Ensemble

Sl(e)ight Ensemble will present their upcoming series, “Of California Ecology,” a program of new works each based on a different facet of California’s natural world. The trio will present compositions by Julie Herndon, ensemble members, and the winner of the ensemble’s call for scores from student composers.

 

Socorro De Castro

Socorro De Castro will record original compositions and arrangements of Filipino Classics and Original Pilipino Music (OPM) integrating jazz and ethnic world music and instruments. The CD release will take place at Piedmont Piano Co. in Oakland, by October 2021.

 

Stenberg|Cahill Duo / Pamela Z

The Stenberg|Cahill Duo, with violinist Kate Stenberg and pianist Sarah Cahill, will commission composer/vocalist Pamela Z to compose “Presence,” a multimedia work to premiere in San Francisco in spring 2021.

 

Strobe

Oboe quartet Strobe will record three commissioned works by Alexis Alrich, Neal Desby, and Vincent Russo to be released by Sienna Records with performances in San Francisco, Berkeley, and Grass Valley.

 

The Alaya Project

The Alaya Project will compose, record, and perform a series of experimental musical works highlighting traditional and collaborative intersections of south Indian classical, jazz, and funk traditions.

 

The Dynamic Miss Faye Carol

The Dynamic Miss Faye Carol will construct a suite of music entitled “Songs of Freedom, Sounds of Change,” exploring themes of social justice, the pursuit of freedom, and quests for change.

 

The Lee Trio

The Lee Trio will produce a recording of “Fern Flowers” composed for the group by Uljas Pulkkis paired with Felix Mendelssohn’s iconic Trio No. 2 in C Minor.

2019 - MGP Awards

Ars Minerva Early Music, Opera.
Ars Minerva will produce Ermelinda, an opera composed by Domenico Freschi in 1680 with libretto by Francesco Maria Piccioli, which has never been performed since its creation at Teatro delle Vergini near Venice. The “Modern World Premiere” will take place November 2019 at ODC Theater. 

 

The Berkeley Festival of Choro Brazilian, Festival.
Berkeley Festival of Choro will promote, produce and record its annual festival at St. John’s Presbyterian Church, Berkeley in October 2019.

 

Brass Over Bridges / Julie Barwick Classical Music, New Music, Commission.

* 2019 Cypress Awardee *
Brass Over Bridges will commission composer Julie Barwick for a new work, inspired by Bay Area poetry and poets, drawing from the diverse literary communities of the Bay Area. The piece will be premiered on a Brass Over Bridges recital of music by female composers in San Francisco, in the spring of 2020.

 

The Chromelodia Project / Chris Brown Experimental, New Music, Commission, Recording.
Composer/performer Chris Brown will compose & record a new piece for his ensemble, The Chromelodia Project (with Theresa Wong and Kyle Bruckmann) exploring just intonation, improvisation, and interactive computer music. The new work will at the Center for New Music in San Francisco.

 

Ensemble ARI / Jean Ahn New Music, Classical Music, Commission.
Ensemble ARI will commission Jean Ahn to write a new piano quartet to premiere on their women composers concert, January, 2022 at St. Mary’s College, Moraga. The Commission initiates the ensemble’s “piano quartet library project,” enriching the repertoire of contemporary music for piano quartet.

 

Ensemble for These Times / Elinor Armer New Music, Classical, Commission.
Ensemble for These Times will commission and premiere “Matrix” by Bay Area composer Elinor Armer for soprano and piano, setting texts by two Bay Area poets, Ursula K. LeGuin and Rella Lossy. The new work will premiere as part of the concert-program “Mothers, Daughters, and Families,” a musical exploration of inter-generational issues affecting women.

 

The Frank Tusa Ensemble Jazz, Recording
Frank Tusa will write and record eight new compositions within diverse jazz combos, from duos with flute, to sextet including tabla.

 

Friction Quartet / Danny Clay New Music, Commission
Friction Quartet will commission Danny Clay and present a new educational concert developed to be engaging and inclusive of youth with cognitive, behavioral, and physical differences. The new work, to be premiered at the Pomeroy Recreation and Rehabilitation Center in San Francisco, will involve audience participation and will be designed to be accessible for all levels of ability.

 

L’arc Trio / Vivan Fung Classical Music, New Music, Commission.
L’arc Trio will commission Vivian Fung as part of the program, “Beethoven 250,” a concert celebrating the legacy of Beethoven’s piano trios for his 250th anniversary year in the spring of 2020. L’arc Trio will perform two Beethoven piano trios alongside the premiere of Fung’s commissioned work, “inspired by Beethoven’s indomitable spirit.”

 

Mads Tolling / The Mads Men Jazz, Commission

* 2019 Cypress Awardee *
Mads Tolling will compose a four-movement piece for his band, The Mads Men, inspired by Danish philosopher Søren Kierkegaard’s masterpiece “Either/Or,” with rapping, singing and spoken word in English and Danish by special guests and Mads Tolling. The premiere performance will take place at The Freight & Salvage and in October 2020.

 

The MANA Quartet / Common Sense Composers’ Collective New Music, Recording
MANA Quartet will premiere and record 8 new compositions with the eight-member Common Sense Composers’ Collective.

 

MediusTerra Horn Duo / Aida Shirazi New Music, Classical Music, Commission.
MediusTerra Horn Duo will commission and premiere “Songs of Dionysus,” a new work by Davis-based Iranian composer Aida Shirazi juxtaposing unexplored nuances in Iranian classical music with modern French Horns and electronics. The premiere performance will take place in the spring of 2021.

 

Melody of China Chinese, Persian, Commission
Melody of China will present a concert with Nejad World Music Center as part of the 2020 San Francisco International Arts Festival in June 2020. Collaborating with Mohammed Nejad and guest musicians, the program will feature new arrangements of traditional Chinese and Persian melodies as well as an experimental new work for Chinese/Persian mixed ensemble.  

 

New Moon Duo / Nicolas Lell Benavides New Music, Commission
New Moon Duo – pianist Anne Rainwater and mezzo-soprano Melinda Becker – is commissioning composer Nicolas Lell Benavides to write a new song cycle exploring the unique cultural identity of New Mexicans. The songs will be sung in Caló a dialect of Spanish spoken first by Chicano communities in New Mexico and Texas along the U.S.-Mexico border, and later spreading to Los Angeles and the Bay Area.

 

Outsound Presents: Outsound New Music Summit New Music, Festival
Outsound Presents will host its 18th Annual Outsound New Music Summit, July, 2019 at the Community Music Center in San Francisco. The Summit will feature six nights of performances showcasing new musical works and improvisations by local artists and national guests, showcasing the world premiere of Tomography Fortunae, by Polly Moller Springhorn; the collaboration of Francis Wong and dancer Lenora Lee; and percussionist duo, William Winant and improviser Zachary James Watkins.

 

Quinteto Latino Classical Music, New Music, Latin American, Recording
Quinteto Latino will produce studio-recorded videos of Waldir Azevedo’s “Brasileirinho” and Astor Piazzolla’s “Libertango,” two short works central to their core concert repertoire, both arranged by composer Mark Fish. 

 

Rent Romus / Heikki Koskinen Jazz, World Music, Commission
Rent Romus will record a new project, co-written with Heikki Koskinen entitled “Manala” (netherworld), for Romus’ nonet, the Life’s Blood Ensemble. The project weaves elements of jazz, traditional folk, and free improvisation, inspired by the mythic prose of cultural liberation and identity in the Finnish national epic, the Kalevala, and the folklore of northern arctic traditions.

 

Splinter Reeds / Amadeus Regucera New Music, Experimental Music, Commission
Splinter Reeds will commission composer Amadeus Regucera to compose “With|Against,” a new multimedia work highlighting the reed quintet’s virtuosity and engaging in interdisciplinary practices including video, light, and spatialized movement in an exploration of uncommon audience engagement and participation. The premiere will be presented by Indexical, an experimental music nonprofit in Santa Cruz, at Radius Gallery in early June 2020.

 

Teslim Contemporary Modal, Commission, Recording
Teslim will produce “7 Decades,” a recording of compositions by Kaila Flexer, inspired by Turkish, Greek and Sephardic folk music as well as blues, jazz & western classical chamber music. 

 

Hyo-shin Na / Wooden Fish Ensemble Classical Music, New Music, Japanese, Korean, Commission
Wooden Fish Ensemble will present a program of Hyo-shin Na‘s music for Japanese, Korean, and western instruments at Old First Concerts on October 27, 2019. Four new works will be commissioned and premiered, along with three of her older works. 

 

ZOFO / Pablo Ortiz New Music, Commission
ZOFO will commission Argentine American composer Pablo Ortiz for a piano duet concerto with two versions, one with string orchestra, and the second with string quintet, premiering in 2020. The pianists will sit on cajónes, changing quickly between playing the Latin-American box percussion instruments and the keyboard.

2018 - MGP Awards

Classical & New Music

• African American Composer Initiative to commission composer Joshua McGhee and present their 10th anniversary concerts at at the Performing Arts Center of Eastside College Preparatory School, East Palo Alto in January 2019 presenting the rich heritage of music by African American men and women of  the past and present.

• Richard Aldag and Vinifera Trio, for production costs to complete a CD of chamber music by Richard Aldag on Albany Records in Fall 2018.

• Ted Allen to compose and perform “Death Is Reincarnated in Every Flower,” a new work for his ensemble, The Incendiary Cycle. The piece will include spoken word poems by six California-based poets, including two young writers recently recognized by the Oakland Youth Poet Laureate program. To be premiered in the fall of 2019.

•* 2018 Cypress Awardee * Amaranth Quartet to commission “Break,” a new work by D. Riley Nicholson premiering at the Center for New Music and Arc Gallery in May of 2019. The program, Bend, Bent, Break, will include Philip Glass’s string quartet Bent and new work by an emerging Bay Area young composer (16-24) chosen through a call for scores and workshop process.

• The Dirty Snacks Ensemble to record and release the second full length record of original compositions by ensemble leader Mark Clifford.

• Bassist Sascha Jacobsen with Trio Garufa to compose Contra un Bajo de Magia accompanied by a short narrative film, directed by Neeti Fidurko, and Argentine Tango dancer, Andrea Fuchilieri. The premier performance will take place at the CELLSpace in the fall of 2019.

• Anna Maria Mendieta’s Tango Del Cielo to complete their debut album The Harp-Tango Project recorded at Skywalker Ranch and support CD release concerts in Summer 2018.

• Nash Baroque to present two performances of Baroque music and dance in collaboration with Jennifer Meller and the San Francisco Renaissance Dancers, exploring the influence of 18th-century French dance forms on the music of J.S. Bach.

• Nomad Session to commission two new wind octet pieces from composers Emily Shisko and Mario Godoy based on the 2018–2019 concert season theme “Eight.” Premiere performances will take place March 23, 2019 and May 18, 2019 at the Brightworks School in San Francisco.

• Redwood Tango Ensemble to commission four new future-driven tango compositions by bandleader & Bandoneonist Charles Gorczynski. The program takes audiences through the history of contemporary tango, from 1950’s Astor Piazzolla to the cutting edge of contemporary tango music from Argentina today.

• sfSound to commission Ken Ueno to write “Numinous,” a new hour-long concert piece for chamber ensemble with acoustic reflective shells and 20 small mobile speakers, to be premiered at the 2019 sfSound Festival.

• Edward Schocker to compose “Self_Less“, a multipart series of works premiering at the 2019 San Francisco International Arts Festival by The Crossing Ensemble.

• The Sonya Rapoport Legacy Trust to commission “Rapoport Remembered,” a musical composition to re-imagine the work of Berkeley artist Sonya Rapoport (1923-2015) through the medium of sound. “Rapoport Remembered” is to be composed and performed by Hae Voces (violinist Kristina Dutton and vocalist Majel Connery) and premieres June 1-2, 2018 at the Kala Institute, where Rapoport exhibited during her lifetime.

 

Jazz & Creative Music

• Ian Carey’s Wood/Metal/Plastic to support the recording and release of their self-titled debut album featuring original compositions that incorporate elements of chamber music, jazz, and free improvisation.

• Ian Dogole & Music Beyond Borders to present Karma – A Musical Tribute to Pharoah Sanders at the Berkeley Hillside Club in September 2018.

• George Brooks’ Elements Trio to perform a Bay Area CD release celebration of their new recording, The Alchemy of Happiness in Spring 2019.

• Ben Goldberg to compose a suite of music for his sextet Ben Goldberg School to be performed and recorded on their second studio album.

• Klaxon Mutant Allstars to produce their second album of original instrumental jazz compositions and arrangements exploring textures and sounds inspired by nostalgia of the 1980s

• Composer and bassist Lisa Mezzacappa and her acclaimed Bay Area original jazz sextet, Lisa Mezzacappa Six to compose and develop Cosmicomics 2018, a new body of electro-acoustic work, inspired by Italo Calvino’s stories about the origins of the universe. To be premiered in three concerts in San Francisco, Berkeley and San Rafael in November 2018.

• Ben Misterka to produce Music, the International Language, comprising a video series, concert performances, and workshops. The project features conversations and duo improvisations from musicians of different cultures, highlighting the vibrant international and world music artists of the Bay Area community and abroad.  

• Anne Sajdera to record and produce original compositions and arrangements for jazz quintet integrating modern jazz with funk & Brazilian/Latin rhythms and traditional Roma (gypsy) melodies.

• Linda Tillery & The Cultural Heritage Choir to present the Linda Tillery 70th Birthday Concert Project, a two-night celebration of the life and artistry of Linda Tillery on September 7th & 8th, 2018 at the Freight & Salvage Coffeehouse, Berkeley in collaboration with six guest ensembles.

2017 - MGP Awards

CLASSICAL and CHAMBER MUSIC

BERKELEY CHAMBER PERFORMANCES to present the THALEA STRING QUARTET in a public evening concert on March 20, 2018 at the Berkeley City Club as part of BCP’s 2017–2018 Season.

LIEDER ALIVE! to commission and premiere four “neue Lieder” by KURT ERICKSON, Composer-in-Residence, and three additional composers, to be paired with Lieder from the standard repertoire.  To be performed by soprano HEIDI MOSS, mezzo-soprano KINDRA SCHARICH, bass KIRK EICHELBERGER January 2018.

NICHOLAS PHAN RECORDING PROJECTS to record and film Ralph Vaughan Williams’ vocal chamber works “The Unquiet Grave,” “Blake Songs,” and “Along the Field” performed by NICHOLAS PHAN, tenor; BENJAMIN BEILMAN, violin; JAMES AUSTIN SMITH, oboe; and ROBERT MOLLICONE, piano.

ROSSOROSE DUO to present their concert project “Nocturnes: Nightfall Illuminated” and to commission ALISA ROSE to compose “Nocturne for America” a piece to be included in the concert project.

JAZZ and CREATIVE MUSIC

ANTHONY BROWN to compose “Down by the Riverside: Requiem for a King” commemorating the 50th anniversary of the assassination of Dr. Martin Luther King. To be premiered at the 2018 SF International Arts Festival by the ASIAN AMERICAN ORCHESTRA and VOICES OF A DREAM vocal ensemble with recitation by Dr. Cornel West.

NATHAN CLEVENGER for the recording and production of a new album by the Nathan Clevenger Group.

ERIK JEKABSON TRIO to complete the production of Erik Jekabson’s CD featuring PETER BARSHAY and VINCE LATEANO.

ANDREW JAMIESON to compose and record a set of original arrangements that integrate experimental and traditional African American spirituals, in partnership with the TROUBLE ENSEMBLE made up of San Francisco Bay Area musicians.  

JAZZ IN THE NEIGHBORHOOD to present “Emerging Voices – Edition 1” a concert with three local rising jazz professionals—IAN FAQUINI, guitar; ERIKA OBA, piano; and DILLON VADO, vibraphone—and their respective ensembles—at the San Francisco Community Music Center, October, 2017.

KUGELPLEX to commission and perform “The Hungarian Gospel Suite”, a collection of traditional American Gospel songs set to original music inspired by Transylvanian Romany dance music, composed by DAN CANTRELL and performed by the Kugelplex ensemble, featuring guest vocalist, LINDA TILLERY.

MONTCLAIR WOMEN’S BIG BAND to record and produce the ensemble’s second album, a collection of original big band tunes and arrangements primarily by women including ensemble members ELLEN SEELING, JEAN FINEBERG, and CHRISTY DANA and featuring many of the outstanding women jazz soloists in the Bay Area.

  1. RICHMOND JAZZ QUARTET to record their debut album of 10 pieces in several different styles of music written and arranged by ensemble leader EMILY ONDERDONK.

RATATET to record, mix and manufacture a 6 song EP of original compositions by leader ALAN HALL, exploring, in a modern jazz context, the unique tonal possibilities of Bassoon, English Horn, Cello, Vibraphone, Trombone, Voice, Piano, Organ, Double Bass, Electric Bass, Percussion and Drum Set.

COOKIE SEGELSTEIN with VERETSKI PASS for the composition and CD recording utilizing formerly lost melodies of pre-Holocaust traditional, Czech-Jewish music. COOKIE SEGELSTEIN, JOSHUA HOROWITZ, and STUART BROTMAN will create a program of music that combines traditional folk resources from Bohemia and Moravia with new compositions.

NEW MUSIC

BLACK CEDAR to commission URSULA KWONG-BROWN’s “In Transit” for flute, cello, guitar, and electronic tape, incorporating the voices of Bay Area residents and their experiences as transplants from other regions and cultures.  To be performed around the Bay Area in October 2017, February and June 2018.

COMPOSING TOGETHER to present “My Words, My Music,” a concert series partnering composer/musicians KATRINA WREEDE, MOSES SEDLER, SARAH ZAHARAKO, and BRENDAN LAI-TONG with Poet in Residence, ALAN BERN, to be performed in libraries throughout the bay area.

KRISTINA DUTTON with electronic musician SILVIA MATHEUS to compose and perform “Horizontal Cobalt,” a musical reimagining of famed Bay Area artist Sonya Rapoport’s visual work.

ENSEMBLE FOR THESE TIMES to commission and perform “Die eichne Tür” (working title) by composer DAVID GARNER for soprano, English horn, violin, cello, and piano. Preview and premiere performances in April 2018.

AMY FOOTE to produce “The Voice and The Machine” a concert program that examines the role technology has in our emotional well-being. Including the commission and premiere of DENNIS AMAN’s new work for invented instruments and five performers.

GALAX QUARTET to record works written or arranged for the ensemble including Robert Morris’s “Radif IV (Galax Quartet version)”, Joseph Schwantner’s song cycle “Dream Drapery: Thoreau Songs” and Marc Mellits’s “String Quartet no. 2: Revolution.” To be released with the label Music & Arts (Berkeley CA).

AARON GERVAIS to compose and present a new piece for live electronics and a variable ensemble of 1-5 instruments, to be premiered by the STENBERG–CAHILL DUO in 2018.  

GUERRILLA COMPOSERS GUILD to present the SIROKO DUO for its season opener, commissioning two new chamber works from local composers NICK BENAVIDES and MICHAEL KROPF.

VAN-ANH VO to compose and perform “Songs of Protest” with her VA’V Ensemble of Vietnamese traditional instruments as the core sound, complemented by electronic music and Western instruments.  To be performed at Yerba Buena Center for the Arts in spring 2019.

 

2016 - MGP Awards

African American Composer Initiative to present two public performances of the Eighth Annual Concert of Music by African American composers, which will include a wide variety of styles, eras and genres, spanning classical and jazz idioms and performed by the core group of musicians of the AACI, as well as outstanding Bay Area classical and jazz musicians and guest artists.

 

Berkeley Choro Ensemble to record and release their first album, featuring a collection of works by living Brazilian composers, as well as works by clarinetist Harvey Wainapel and a commission from guitarist and composer, Ricardo Peixoto.

 

Sheldon Brown to master and produce an album of studio recordings of his recent composition, Blood of the Air, promoting the legacy of Philip Lamantia, an important figure in the San Francisco Renaissance poetry movement of the late 1940s through the late 1950s, and perhaps America’s foremost surrealist poet.

 

Ian Carey’s Wood/ Metal/ Plastic to compose and premiere a collection of pieces, Set for 7, incorporating contrapuntal textures and varied improvisational settings ranging from structured to free, which will be performed by Carey and six other musicians.

 

Carlos Henrique Pereira Trio to record and release an album of his original jazz and Brazilian style compositions, featuring the recently transplanted Sonoma County resident as leader on his dual main instruments of piano and nylon string acoustic guitar.

 

Ben Goldberg to record and release an album, Hocus Pocus, a collection of six etudes composed by Steve Lacy, built of his musical language and characterized by repeating segments, and adapted in 2014 by Mr. Goldberg and Michael Coleman for clarinet/piano duo.

 

Phillip Greenlief (saxophone), Fred Frith (guitar), and Rashaun Mitchell (dance) to perform and record improvisations, to be released on DVD and internationally distributed, marking the premiere collaboration of three singular artists, highlighting the visual form of dance with the physicality of improvising musicians to create an embodied sound score.

 

Jon Jang to compose an eight minute work for the Jon Jang Ensemble of three woodwinds, two brass, and rhythm section, entitled Yank Sing Work Song, to celebrate the recent major victory of the Yank Sing restaurant workers, who won a four million dollar settlement in November 2014, as a continuation of his body of works paying tribute to Chinese workers.

 

The Living Earth Show to commission, premiere, and tour a new work for electric guitar, percussion, and live electronics by composer Zachary James Watkins, involving invented instruments and tuning that investigate whole number interval relationships, based on desires to explore harmonic territory, periodicity, composite waveforms, resonance, texture, and the spatial diffusion of sound sources to achieve rich, saturated environments.

Lisa Mezzacappa to record and disseminate her evening length song cycle, Glorious Ravage, inspired by the writings of Victorian lady explorers, featuring an ensemble of acclaimed California instrumentalists performing live and commissioned films, and to be released in 2017 as both an audio CD and on-demand video available for online streaming.

 

Molina/ Ackamoor Duet to compose and perform The Spirit, Breath of Life, an evening of improvised, ritualistic, and cleansing ceremonies, as musical homage to the grassroots national uprising that has been precipitated by the deaths of African American men and young men of color at the hands of police, and as a means of collective healing and “breathing in one complete breath” for all Americans.  

Music at the Mission to commission and perform the world premiere of a new work, The Golden Door, by Composer-in-Residence Mark Fish, inspired by immigrant stories from Chinese, Filipino, and Afghan residents of the Tri-Cities of Fremont, Newark, and Union City, and will include musicians from these cultures playing traditional instruments, as well as video projections capturing the Tri-Cities immigrant experience.

 

Noe Valley Chamber Music to present a concert of the Thalea String Quartet, its Emerging Artist for 2016/17 season, as part of both the Osher Inside-Out and contemporary [email protected] concert series, including Musical Conversations, a pre-concert talk led by musicologist Kai Christiansen.

 

One Great City Duo to record and release its second full length album, featuring premiere recordings of commissioned works by Shahab Paranj, Eric Choate, Ben Dameron, and Renaud Cote-Giguere, transcribed and arranged repertoire, as well as contemporary music by Sergio Assad, Celso Machado, Dusan Bogdanovic, and Stephen Goss.

 

Outsound Presents to present the creative works of the three contemporary ensembles: Brett Carson’s Mysterious Descent; IMA featuring Nava Dunkelman and Amma Ateria; and Mark Clifford’s Dirty Snacks Ensemble during the 15th Annual Outsound New Music Summit Festival.

 

Jim Santi Owen, to present an evening length performance of original and improvised new music,  in collaboration with sarode artist and composer, Alam Khanof, based on their year-long research of rare ragas (melodic modes) and talas (rhythmic cycles) of North Indian Classical Music.

 

Rent Romus to perform and record live The Road to Aacheron, an evening-length original oratorio, in partnership with his Life’s Blood Ensemble and members of The Cornelius Cardew Choir, of otherworldly music composed by Romus and inspired by the Fantastic Pulp Fiction writers of the 1930’s, including HP Lovecraft, Catherine Lucille Moore, and Arthur Machen.

 

Redwood Tango Ensemble to debut and record six fully-scored compositions, including new compositions by leader, Charles Gorczynski, featuring a dance performance, as well as a set of traditional Argentine tango for social dancing, as a means to give dancers an insight to the Ensemble’s more nuanced and modern original material, as well as introduce chamber music fans to the idiomatic musical language of modern tango.

 

Pamela Rose to produce her new stage work, The Blues is a Woman, an ensemble theatrical concert featuring Bay Area women blues musicians who will sing and tell stories woven around the music, augmenting the powerful, truth telling, original songs written and popularized by early Blues Women, and which will feature rarely seen archival film footage and photo projections of these great women in concert.

Splinter Reeds to commission and premiere a sextet composition by composer and performer Theresa Wong, for reed quintet and Wong as vocalist and cellist, employing improvisation and collaborative process that is as central to the development of the work as is conventional notation, and with the creative voices of the individuals involved being at least as important as the instrumentation.

 

Trinity Alps Chamber Music Festival to present End of Time, a new theatrical production centered around Olivier Messiaen’s Quartet for the End of Time, which will feature staging, lighting design, and a video-like onstage projection that will tell the story of Messiaen and the creation of this historical and powerful work.

 

Trois Bois Wind Trio to record and release their first full length album of music written by French composers between the years 1945-1947, including one never before recorded work, as a means to capture the remarkable connections that existed between the composers of this era and how the political and cultural landscape affected their style.

 

The Wooden Fish Ensemble to premiere Koto, Piano II, two commissioned works by Hyo-shin Na, a piece for Koto (Japanese zither) and piano, and a piece for koto and bass koto, as an addition to Na’s series of 4 duos composed for and recorded by the Ensemble.

 

2015 - MGP Awards

AREON FLUTES to record and release their third full-length album, featuring works commissioned to celebrate their 10th Anniversary Season from Bay Area composers SAHBA AMINIKIA, DAN BECKER, RYAN BROWN, and DANNY CLAY.

RICHARD ALDAG to record Nocturne & Dance for Violin, Clarinet, and Piano (2014) with TRIO VINIFERA for a disc of his chamber music to be completed in Fall 2016. The piece will be premiered at the Jarvis Conservatory (Napa) in May 2015.

BRAZZISSIMO to commission member DEAN BOYSEN to create a new work for ten-piece brass ensemble to be premiered in 2016 at the Castro Valley Center for the Arts. 

BAUMER QUARTET to record several core works for string quartet, partnering with a high-quality recording engineer from the Cleveland Institute of Music.

KYLE BRUCKMANN to compose a new work for a Creative Music ensemble of single and double reeds, electric bass, percussion, and electronics, incorporating writings of Bay Area poet Matthew Shears, for a June 2016 premiere in Oakland.

IAN DOGOLE to present Afro-Weston, a musical tribute concert featuring new arrangements of pianist Randy Weston’s Afro-infused Jazz compositions.

EINSTEINIUM QUARTET to commission a new chamber work for saxophone quartet by Bay Area composer MARIO GODOY, to be premiered at the Center for New Music in 2016.

ENSEMBLE SAN FRANCISCO to present two Fall 2015 concerts (one in San Francisco and one in Portola Valley) featuring the Brahms Clarinet Quintet along with works of Barber and Auerbach.

JEAN FINEBERG to compose an original work for MONTCLAIR WOMEN’S BIG BAND, an 18-plece jazz chamber ensemble, encouraging the community to explore the music of Jazzwomen In the Bay Area and beyond.

THE GALAX QUARTET to arrange, rehearse and premiere a new version (for string quartet and keyboard) of American composer Carl Stone’s neglected work, Hai Ky.

 

IGNITION DUO to complete and release their debut album of music for two electric guitars, including works by local composers NICK BACCHETTO, RYAN BROWN, and DANNY CLAY.

SASCHA JACOBSEN to record his second album, Chamber con Alma, featuring his original compositions and arrangements with the MUSICAL ART QUINTET, focusing on a theme of the soulful, spiritual nature of music.

ERIK JEKABSON to record and produce a new CD of original compositions and arrangements for jazz quintet.

DAVID JAMES’S GPS to record a debut album of the leader’s original works, for an ensemble of electric guitar, clarinet, viola, trombone, acoustic bass and drums.

JEWISH MUSIC & POETRY PROJECT to record a CD of four works about the Holocaust for soprano, cello, and piano written for them by composer DAVID GARNER to poems by Jewish women survivors.

HEIKKI KOSKINEN to perform and record his arrangements of Nordic and Finnish songs with a new ensemble, NORTHERN WINDS AND VOICES.

LIEDER ALIVE! to commission three “neue Lieder” by KURT ERICKSON to be premiered by soprano Heidi Moss on September 13, 2015, at their fifth annual Liederabend Series at the Kanbar Performing Arts Center in San Francisco.

DESTINY MUHAMMAD to score three Jazz suites inspired by Devorah Majors’ play Black Classics: The African American Voice in 19th Century San Francisco, creating a sonic celebration of Ancestors Mary Ellen Pleasant, William Alexander Leidesdorg and George Washington Dennis.

REAL VOCAL STRING QUARTET to compose, present and record Audible Connections: RVSQ Sister Cities, a cycle of short works based on folk music and poems from eight San Francisco Sister Cities, including Abidjan, Amman, Assisi, Barcelona, Haifa, Osaka, Seoul, and Shanghai.

ROVA SAX QUARTET to record and distribute an eleven-instrument structured improvisation work (an Homage for William Butch Lawrence) as well as three longer works composed within the last five years by Rova Sax Quartet members.

JOHN SANTOS to compose and perform Porta Coeli (Portal to Heaven), named after the second oldest church on the island of Puerto Rico and dedicated to his great grandparents, employing traditional Puerto Rican rhythmic and stylistic elements.

EDWARD SCHOCKER to produce the project Crossing with Ensemble Ak, investigating Shinawi, the ancient style of Korean shamanist improvisation.

JOHN SCHOTT’S ACTUAL TRIO to complete and publicize its first CD of music for guitar, bass, and drums.

SHULMAN & STEPHAN to release the recordings of seven original songs by Adam Shulman and Katy Stephan, including both a jazz rhythm section and the REAL VOCAL STRING QUARTET.

SWITCHBOARD MUSIC FESTIVAL to present its 9th annual eight-hour marathon, featuring a diverse assortment of primarily local composers, performers, and bands whose music challenges traditional genre distinctions, on April 2, 2016, at the Brava Theater in San Francisco.

TELEGRAPH QUARTET to record and produce an online digital EP showcasing Leon Kirchner’s String Quartet No. 1 and Anton Webern’s Five Movements for String Quartet.

VAJRA VOICES to perform the medieval music of HIldegard von Bingen on July 31, 2015, featuring director and contralto Karen R. Clark and harpist Cheryl Ann Fulton, and make a commercial recording later in 2015.

MARK WINGES to compose The Moon Dreams of Jacqueline, a new work for the FRICTION QUARTET and four solo singers to be performed in the fall of 2016.

2014 - MGP Awards

A/B Duo to present a concert, with high quality video documentation, of premieres and recently written works for flute and percussion at the Center for New Music with percussionist Christopher G. Jones.

African American Composer’s Initiative to present their 6th annual concert of music by African American composers at the Performing Arts Center of Eastside College Preparatory School. The music will include a wide variety of genres from classical to jazz.

Berkeley Choro Ensemble to commission ensemble member Harvey Wainapel, who will create a new work to be premiered as the grand finale of the Festival of Choro in the fall of 2014 at Freight and Salvage in Berkeley.

The Bernal Hill Players to present “Neighborhoods of San Francisco and Mexico City,” an eclectic program of music from both cities, including two world premieres by Beth Custer and Gabriela Ortiz.

The Black Cedar Trio to record a debut album of published works that have not been commercially recorded as well as a new work by local composer Garrett Shatzer.  The album will be promoted through a series of concerts throughout the greater Bay Area from 2014-16.

Ryan Brown to record “Our Friend Adam,” his breakthrough composition for alto saxophone, piano, electric guitar and bass, as a step in the production of his first full-length album.

George Brooks to create “Ghalib”, a jazz composition for sarode, saxophone and tabla informed by the classical traditions of India.  This piece will be premiered by the composer along with Alam Khan and Salar Nader at Freight and Salvage in Berkeley in early November 2014.

The Delphi Trio to record two live performances at the Maybeck Recital Hall in Berkeley during August and September of 2014.  Repertoire will consist of works by Haydn, Schumann, Faure and Arensky.

Earplay to present the finale concert of its 30th anniversary season in May 2015, including the commission and premiere of a new work by Carla Lucero alongside works by Dohee Lee, Nicolas Tzortzis, and Henry Cowell.

Farallon Quintet to record its debut album, “Unknown Clarinet Quintets,” including works by Bernard Herrmann and Mozart with a recently commissioned work by Bay Area composer Durwynne Hsieh.

Firesong Ensemble to commission and present a new vocal chamber work by Bay Area composer Jen Wang in concert alongside works by Yotam Haber, Richard Pearson Thomas, Shulamit Ran and Ned Rorem.

martha & monica to present “Out of the Box”, a three-evening festival for cello and piano, exploring the world of colors, timbres and textures from the past 50 years. Featured composers will include Feldman, Scelsi, Takemitsu, and Xenakis.

Lisa Mezzacappa to compose and develop “avant-NOIR,” a new electro-acoustic body of work inspired by noir genre fiction for her experimental jazz quartet Bait & Switch.  The work will be performed twice in the Bay Area in the fall of 2014.

Music at the Mission to present a 10th anniversary concert on the theme of “Fairy Tales – the Meeting of Music, Storytelling and Painting,” featuring works of Schumann, Ravel, Stravinsky and Prokofiev and living composers Bolcom and Deak, all connected by the theme of fairy tales. Painter Antoine Cavlier will create paintings inspired by the music that will be projected to accompany the performance.  

New Esterhazy Quartet to perform the complete late Beethoven Quartet cycle on period instruments at Berkeley’s historic Hillside Club on August 14-16, 2015.

Nonsemble 6 to premiere two monodramas – one-woman chamber operas, with ensemble accompaniment – by composers Adrian Knight and Jonathan Russell in the 2014-15 season.

Outsound Presents to present the original creative works of The Emergency String (X)tet, Bill Noertker’s Obstreperous Doves and the Rankin-Parker/Pearce duo during the 13th Annual Outsound New Music Summit in July 2014 in San Francisco.

Ricardo Peixoto to record his first full album as composer and bandleader, featuring recent compositions for mixed ensembles grounded in Brazilian jazz traditions.

Daniel Plonsey to compose “Strings, Union, Calculus,” for string trio with saxophone, mezzo-soprano and percussion.  This set of pieces is inspired by the composer’s experience as a high school math teacher.

Potaje Ensemble to present a free concert with composer and guitarist Florante Aguilar, featuring two new works exploring the historical musical connections between the Philippines, Latin America and Spain.

Rent Romus Life’s Blood Ensemble to record and perform “The Otherworld Cycle.” This collection of new jazz compositions and improvisations is inspired by the ancient poems of the Finish National epic known as the Kalevala.

Salon Classique to present the Tango Salon Project as the opening concert of their 2014-2015 season at the St. George Distillery.  The project features Argentinian Tango for up to seven instruments as well as Spanish and French chamber music.

San Francisco Salon Series to present three multi-media chamber music salon concerts between August 2014 and May 2015. The publicly advertised concerts, taking place in private homes, are intended to bring together curious audience members who are more typically engaged in different artistic and technological disciplines.

sfSound to commission ensemble director Matt Ingalls to create “Hilbert Transforms,” a new work for chamber ensemble incorporating traditional and graphic notation, improvisation, and electronics. sfSound will perform the new work  in March of 2015.

Sonic Forest to present four free, public concerts with a wide variety of compositions and improvisations for oboe and piano at three community centers run by Homeward Bound Marin, an organization that provides services to the homeless.

Sounds New to present a retrospective concert including a new work, celebrating the 85th birthday of director and composer Herbert Bielawa

Splinter Reeds to commission a new work for reed quintet by Bay Area composer Aaron Novik based on a Margaret Atwood quote.

Tangents Guitar Series to present a retrospective program dedicated to the guitar works of seminal American experimental composer James Tenney, culminating in performances in San Francisco and Santa Cruz.

The Living Earth Show to record DANCE/\MUSIC, consisting of five electro-classical compositions commissioned by the ensemble from Anna Meredith, Daniel Wohl, Chris Cerrone, Jonathan Pfeffer, and Jacob Cooper.

Bill Horvitz to create six new works for the Skerries Sextet, an expanded version of the versatile jazz trio he leads as composer and guitarist.

Trinity Alps Chamber Music Festival to commission composer Danny Clay to write a work for narrator and chamber ensemble based on Rudyard Kiplings’s “Just So Stories”.  The work will be presented at the festival’s September 7, 2014 Grandparents’ Day Family Concert.

Voicehandler to produce a debut album of their collaboratively-composed experimental song cycle for voice, percussion and electronics.

Voices of Music to present four Bay Area concerts exploring 17th century English poetry, from Shakespeare to Dryden, through the music of 17th century composers from Dowland to Purcell.

Liam Wade to compose a new work for soprano, piano, and cello that Ann Moss, Steven Bailey and Emil Miland will premiere as part of a January 2015 recital in San Francisco.

Wild Rumpus a contemporary chamber ensemble, to present its fourth season opening concert in October 2014 featuring new commissions by Per Bloland, Ioannis Angelakis and Ruby Fulton.

 Pamela Z  to complete and release a CD featuring the world premiere recording of her 2013 chamber work “Carbon Song Cycle,” for voice and electronics, bassoon, viola, cello and percussion.

 

 

2013 - MGP Awards

Active Music Series to present a three night Active Music Festival in Oakland’s Uptown Nightclub featuring the Oakland Active Orchestra. The Active Music Series supports non-traditional notation, conduction and other forms of large ensemble improvisation.

 

Addleds to present three concerts at the Lab in San Francisco. Addleds is an improvisation quartet consisting of oboe/English horn, contrabass, percussion and koto.

Asian American Jazz Orchestra leader Anthony Brown to compose “Our Eyes on the Prize: King’s Dream 50 Years On” to commemorate the 50th anniversary of Martin Luther King’s “I have a dream speech”. The work will be performed by the Asian American Jazz Orchestra.

 

Dave Rocha Jazz Group to present five free jazz concerts at various locations throughout the Bay Area including parks, community centers, churches, arts organizations and public plazas.

 

Distant Interval to publish a new one-hour work for six instrumentalists and a vocalist based on the surrealist poetry of local poet Philip Lamantia.

 

Erik Jekabson to release his fourth CD “Rhythm is Our Thing: the Erik Jekabson Quartet with John Santos at the Hillside Club“.

 

Grupo Falso Baiano to record a new CD of the original instrumental Brazilian compositions of founding member Brian Moran as well as works from the little known style of “Roots Samba”.

 

Hannah Addario – Berry / Cello Bazaar to present Sqwonk (a bass clarinet duo), in a performance of works by Bay Area composers as part of “Between the Golden Gates“, a dinner concert series at Bazaar Cafe.

 

Ian Carey Quintet + 1 leader Ian Carey to compose an extended multi-movement “Suite for Quintet+1” to be performed and recorded at the Jazz School in Berkeley.

 

Left Coast Chamber Ensemble to commission a new piece by Laurie San Martin. The new work will incorporate text from Roy Spivey, a story by Miranda July. They will perform the piece at Oakland Art Murmur, PARK(ing) Day, and First Thursday Art Walk.

 

Live Oak Baroque Orchestra to record a CD to establish itself in the Bay Area early music scene.

 

Melody of China to launch a PR and marketing campaign for a concert celebrating their 20th anniversary in December 2013. The concert will feature traditional Chinese music on traditional instruments as well as a retrospective of select contemporary works from the last 20 years.

 

Miguel Martinez y Corazon Sur to record songs by Mexican composers who are well-known in Latin America but not in the United States. They will record these songs as Latin Jazz arrangements. Some of the composers include Agustin Lara, Mario Ruiz Armengol, Jose Alfredo Jimenez, and Maria Griver among others.

 

Mobius Trio to produce its second full- length studio album featuring all new works from composers throughout the Bay Area commissioned by the ensemble.

 

Musical Art Quintet leader Sascha Jacobsen to compose a new work for dectet (2 violin, viola, cello bass, flute, clarinet, French horn, tenor sax, baritone sax) for the Musical Art Quintet in collaboration with five well-known improvisational instrumentalists. The work will be performed at the second annual Classical Revolution Music Festival in the fall of 2013.

 

New Keys, to commission Luciano Chessa to compose a work that will showcase the collective efforts of the six pianists who make up New Keys. The commission is honor of the ensemble’s10th anniversary.

 

Noe Valley Chamber Music to present the Lee Trio performing works by Ravel, Beethoven and Smetana, as part of its 2013-2014 season’s Osher Inside-Out concert series with a pre-concert talk by musicologist Kai Christiansen.

 

Passamezzo Moderno to record and produce a CD of previously unknown 17th century instrumental music by Johann Michael Nicolai. The CD will include 8 trio sonatas from Nicolai’s Erster Teil Instrumentalishcer Sachen in addition to quartet sonatas by three of his contemporaries.

 

Ramon and Jessica composers Dina Maccabee and Jesse Olsen Bay to compose a new vocal chamber work based on the 1939 children’s book, The World is Round. The ensemble will perform the new work with other guest artists at the Songbird Festival in early 2014 at the Community Music Center in San Francisco.

 

Redwood Arts Council to present the Real Vocal String Quartet in their “Chamber Music Occidental” series.  The artists will present a program designed to build a bridge between traditional classic chamber music audiences and younger more diverse audiences.

 

Santa Cruz Baroque Festival to commission Robert Strizich to create a new work for the festival’s resident early instrument ensemble Lux Musica, to be performed in a public concert in the spring of 2014 at the festival.

 

The Farallon Recorder Quartet to develop and present a program for recorder quartet of music from Spain and Colonial era South America in collaboration with recorder player Claudia Liliana Gantivar.

 

Thingamajigs Performance Group to collaborate with Korean-American performance artist and writer Sasha Horn to create and perform a new, multidisciplinary performance work entitled “Solvitur Ambulando” (it is solved by walking).

 

VidyA saxophonist/composer Prasant Radhakrishnan to compose a new work that combines American jazz and South Indian classical traditions to be performed at various venues in Fall 2013.

 

Vijay Anderson’s Touch and Go Sextet to mix and master a live recording of Anderson’s compositions from their performance at the Novara Jazz Festival in Italy in 2012.

Wooden Fish Ensemble to commission Korean born composer Hyo-shin Na to write a series of four pieces for koto (Japanese zither) and kayageum (Korean zither) to be performed at Old First Concerts in February 2014.

2012 - MGP Awards

Agave Baroque to record an album of works by Bohemian virtuoso violinist and composer Heinrich Biber, entitled “The Otherworldly Fiddler: the sacred and the profane meet at Heinrich Biber’s musical table.”  

 

Berkeley Chamber Performances to present the San Francisco based Lee Trio as part of its 2012-2013 season.  The program will include the world premier of Laurence Rosenthal’s “Heptad”.

 

Bernal Hill Players to commission composer Guillermo Galindo to write a piece based on the theme “Neighborhoods in Mexico City”. These works will be performed, along with other Latin American compositions, in five different Bay Area venues.

 

The Beth Custer Ensemble to perform their original live music to a silent film score from the Soviet Eccentric Cinema movement at the Bernal Heights Outdoor Cinema Festival in August, 2012.  The event includes pre and post concert educational activities.

 

Cascada de Flores to engage a graphic designer to oversee the production of a new CD, promotional materials and a new website. The CD will be used as a marketing tool for touring.

 

Cello Bazaar to produce two integrated food/music presentations (“edible concerts”) at the Brava Theater, featuring Solstice, Amy X Neuburg, and Hannah Addario-Berry in a performance of “Fill as Desired” for women’s voices and live looping electronics, in collaboration with local culinary artists.

 

Clerestory to produce public concerts of “SeaSongs” that span the choral repertory of ocean and voyage-themed music in cross-promotional anticipation of the arrival of the America’s Cup yacht races and the San Francisco Opera’s staging of “Moby Dick”.  

 

Composers, Inc. to present the Cypress String Quartet for a performance of new American music by composers Elena Rueher, Kevin Puts and George Tsontakis as part of the Old First Concerts series during their 2012- 2013 season.

 

Dave Rocha Jazz Group to perform at five different Bay Area libraries where funds are not available to pay for performances, enabling audiences to hear high-quality jazz for free.  

 

Gojogo to fund composition (by the four members of the ensemble) and demo recording fees for the first stage of their concept album project.  The CD will help promote their music which combines Western classical and jazz sounds with the rhythmic traditions of India.

 

Kat Parra to record a CD, promote and present concerts featuring her composition –  “Las Aventuras de Pasion” – a musical adventure combining voice, instruments and rhythms based on Sephardic songs.

 

Left Coast Chamber Ensemble to present, in fall 2012, performances of Kurt Rohde’s “Artifacts”, a work scored for five musicians that addresses the passage of time, the reconstruction of memories and also features spoken and sung parts as well as projection of original images.

 

Lisa Mezzacappa’s Bait & Switch, to produce and publicize a new recording of original music and arrangements by Mezzacappa. The works draw inspiration from avant-garde jazz, garage rock and folk music of the French Caribbean.

 

Mill Valley Chamber Music Society to present the Ives String Quartet with cellist Bonnie Hampton during part of their regular series in March of 2013.  The ensemble will perform Schubert’s Quintet in C Major.  

 

Music at the Mission to present Quinteto Quilombo in the concert “Tango Apasionado”, tracing the musical history of tango from its Buenos Aires roots to modern times.

 

Musica Pacifica to address its organizational and financial health by hiring consultants to update their internal procedures as well as help them assess their future with respect to fundraising needs for future projects.

 

Nonsemble Six to present Schoenberg’s Pierre Lunaire with a slideshow introduction and projected subtitles, costumes, makeup, stage direction and lighting effects to present a complete staged, cabaret-like experience for the audience.

 

Outsound Presents to present the 11th annual Outsound New Music Summit, a week-long festival that showcases world premieres and exclusive debuts of innovative new music.  They will present a world premiere by local guitarist John Shiurba and his 9:9 ensemble featuring Matt Ingalls and Lara Bruckmann.

 

Quinteto Latino to produce a weekend festival of Latin American classical music consisting of two performances, a panel discussion and a reception at Old First Concerts in San Francisco.  The Musical Art Quintet will join Quinteto Latino to premiere a nonet by Puerto Rican-born composer Roberto Sierra.

 

Real Vocal String Quartet to produce a CD of new compositions and arrangements, documenting the artistic development of the ensemble.

 

Sqwonk to record and release an album called “Sqwonk +”, consisting of recent compositions by Sqwonk and other Bay Area ensembles, including, Amy X Neuburg, ZOFO piano duo, Nonsemble 6, the Living Earth Show, Real Vocal String Quartet and Rootstock Percussion.

 

Thingamajigs to present the William Winant Percussion Group to perform music by Lou Harrison on his original instruments in a special concert for the 15th Annual Music for People & Thingamajigs Festival.

 

Veretski Pass to commission ensemble member Josh Horowtiz to create a programmatic tone poem representing Easter European Jewish superstitions, interacting with ensemble improvisation.  Material will be gathered from interviews with older adults who lived in pre World War II Eastern Europe.

 

Voices of Music to fund their “Great Artists” concert (part of their regular concert series) to be presented in October 2012, featuring cornetto player Bruce Dickey in combination with the ensembles’ regular players

 

ZOFO duet to commission Bay Area composer Kurt Rohde to write a 12 minute piece for one-piano-four-hand and a 1 minute amateur companion piece for the same formation.  ZOFO will premier the pieces in the spring of 2014.

2011 - MGP Awards

Tacet

2010 - MGP Awards

Archetti Baroque String Ensemble to make their first commercial CD recording on the Centaur label, featuring Italian violin concerti for 2 to 4 violins by Vivaldi, Torelli, and Locatelli.

Berkeley Chamber Performances to present ZOFO (internationally acclaimed piano duet, Keisuke Nakagoshi and Eva‐Maria Zimmermann) in their 2011‐2012 season.

The Bernal Hill Players to continue an on‐going project, “San Francisco: In and About the City”, pieces written by local composers on the theme of ‘Neighborhoods of San Francisco’, which are performed at traditional and non‐traditional venues, and to make a CD of these pieces to help promote the group.

Bridge Chamber Virtuosi to establish BCV as a prominent Bay Area ensemble, seeking to bring new contemporary music by prominent Asian American composers to local and international audiences, through the production and distribution of their first CD of works by Dohnanyi, Chen Yi, Lei Liang and Bright Sheng.

Cançonier to increase local audience and the ensemble’s visibility in the Bay Area, by adding additional performances and improving financial remuneration for the ensemble’s direction.

Darren Johnston Quintet (+ chorus) to compose a song cycle of eight pieces for the quintet, derived from letters written by immigrants to the U.S., describing their experiences.

Ensemble Mirable to in funding a recording of rarely heard works of the German and Italian Baroque, including works by Becker, Buxtehude, Uccellini, Bononcini, Erlebach, Rosenmuller and Vivaldi.

Erik Jekabson to create more recording and performing opportunities by recording and producing a CD of compositions based on artwork of the de Young Museum, and drawing attention to the museum and its connection to the Bay Area music scene.

Farallon Recorder Quartet to develop and present two performances of a program of Medieval and Renaissance music for recorder quartet, soprano, and lute.

Galax Quartet to premiere a new string quartet commissioned from the composer W. A. Mathieu for the unique instrumentation of the ensemble (two violins, viola da gamba and cello) to be premiered in May 2011.

San Francisco Friends of Chamber Music – Musical Grant Program Report 2010 – Awards 2010 – 1 / 3

San Francisco Friends of Chamber Music Report to the Clarence E. Heller Charitable Foundation

Grupo Falso Baiano to assist in post‐production, pressing and release of their second CD of Brazilian choro music: “Simplicidade: Live at Yoshi’s”.

Heather Klein’s Inextinguishable Trio to promote and expose audiences to the Yiddish classical art song through The Yiddish Art Song Project.

Hemispheres to present a concert “Shorter Moments ‐ A Tribute to Wayne Shorter,” in honor of the saxophonist/composer, who contributed so much to the evolution of jazz.

Kat Parra and The Sephardic Music Experience to present “Las Aventuras de Pasíon”, a new concert length program addressing different stages of love, and other experiences associated with love, through Sephardic songs.

Left Coast Chamber Ensemble to commission Luciano Chessa to write a quintet inspired by the Peralta Hacienda, Oakland’s historical birthplace, and introduces Left Coast to a new audience in Fruitvale’s under‐served neighborhood.

martha & monica to commission composer, Matt Ingalls, to compose a substantial new work for cello and piano.

Matt Small’s Chamber Ensemble to support production of his third CD with his eponymous Chamber Ensemble, featuring the newest Ensemble member, drummer Micah McClain.

Music at the Mission to present a program exploring how 4 composers (Eric Korngold, Nino Rota, Dmitri Shostakovich, Bernard Hermann) found new ways of expression through the new genre of film: “Crossroads: Intersections of 20th Century Compositions and Film”.

Music Sources to support their 2011/2012 concerts season, presenting 14 concerts illuminating early music from the Medieval, Renaissance and Baroque eras.

New Music Works to present two performances of a concert devoted to the music of Korean American composer, Hyo‐shin Na in San Francisco and Santa Cruz in April 2012.

Nordeson Shelton Duo to produce a CD that will showcase music for percussion and saxophone and serve as a necessary promotional tool for the group.

Outsound Present to present the work of three ensembles at the 10th annual Outsound New Music Summit, and to help fund advertising to highlight the 10th anniversary of the summit.

San Francisco Friends of Chamber Music – Musical Grant Program Report 2010 – Awards 2010 – 2 / 3

San Francisco Friends of Chamber Music Report to the Clarence E. Heller Charitable Foundation

San Jose Chamber Music Society to present to the Silicon Valley/South Valley a public concert by the Cypress String Quartet, featuring guest cellist (from Paris) Gary Hoffman in their 2011‐2012 season.

sfSound to make their first CD on the “Innova” label, entitled “sfSound: Composition and Improvisations”, focusing on the creative work of the members of the ensemble.

Sqwonk to invest in public relations and promotional materials in order to raise the profile of Sqwonk’s 2011‐2012 season.

Switchboard Music Festival to enable production of the annual 8‐hour marathon of music in San Francisco, featuring Bay Area musicians that straddle traditional genre distinctions.

Vinaccesi Ensemble to record a CD of cantatas by their namesake, seventeenth century Italian composer, Benedetto Vinacessi.

The Vnote Ensemble to compose, record, and present a four‐movement new composition, “Suite Jazznera”, a blend of “llanera” music from the plains of Venezuela and North American jazz, and to present this blend of cultures to a larger audience.

Report
How to Apply
Who Can Apply & What Do We Fund?
Application Tips
FAQ
Cypress Award
Review Process
How to Apply

The 2021 MGP cycle is now open.


 

    1. Read the sections “About the MGP“,  “Who can apply”, and “FAQ’s” to see if your project fits the requirements of the MGP.

 

    1. All applicants must complete the MGP Eligibility Form (open until Sunday March 14,2021). After completing, an InterMusic SF staff member will review your submission to determine the eligibility of your project. Eligibility is based on project constraints and past award history of the applicant and project partners. This step is required.

 

  1. In 1-3 business days, an InterMusic SF Staff will contact you regarding your eligibility. If approved, an email with a personal link to your MGP application will be sent to you. This link is the only way you can access and submit your MGP application.

 

 


The 2021 MGP Eligibility Screening is now closed.

Application Deadline: Sunday, March 21, 2021 – 11:59 PM

 

Who Can Apply & What Do We Fund?

Applicants may propose projects for performers, composers, and/or presenters, from genres representing early music, classical music, new music and/or jazz. Projects must involve the participation of one or more small ensembles.

PLEASE NOTE: InterMusic SF defines a small ensemble as a group of two or more musical performers – instrumentalists or singers – interacting in real time – each playing one on a part, without a conductor.

A PERFORMER applicant can apply as:

  • an ensemble with consistent membership and a collective history of public performance;
  • an ensemble created by an individual for a specific performance project in which each ensemble member demonstrates a history of public performance;
  • an ensemble in collaboration with an eligible project partner, including a composer, guest performer or additional ensemble.

A COMPOSER applicant can apply as:

  • a composer of a new work in partnership with an eligible ensemble;
  • a composer who is a lead performing artist of an ensemble performing their original composition(s).

A composer applicant MUST include at least one project partner

A PRESENTER applicant can apply as:

  • a presenter of an ongoing concert series (with a history of presenting professional music performances to the public) in partnership with one eligible ensemble;
  • a presenter of a short-duration festival (with a history of presenting professional music performances to the public) in partnership with one or more eligible ensembles.

A presenter applicant MUST include at least one project partner

Please Note: Any presenter, ensemble or composer may appear on only ONE MGP application per cycle. Individual performing musicians may appear on more than one application as members of different ensembles as long as the ensembles have separate and distinct identities. The primary contact/applicant for a project may submit only one application per cycle. 

Project Partner

A project partner is defined as an individual or ensemble that collaborates with the lead applicant for a project. The project partner must satisfy all MGP eligibility requirements.

Eligibility

All applicants must confirm their eligibility and the eligibility of any project partner(s) with InterMusic SF. Please visit MGP ELIGIBILITY SCREENING(eligibility screening is now closed), answer the questions and submit your answers. InterMusic SF will reply as soon as possible if further clarification about your project is needed. For questions, please contact:[email protected]

Applicants and project partners must:

  • at least 18 years of age;
  • be a U.S. citizen or a legal resident;
  • reside in and plan to present their project in one of the nine counties of the greater San Francisco Bay Area (Alameda, Contra Costa, Marin, Napa, San Francisco, San Mateo, Santa Clara, Solano, and Sonoma);
  • have an annual organizational budget of under $150,000 ( a project partner with an annual budget of more than $150,000 will be assessted on a project by project basis). 

Past MGP Awardees

Those who received an MGP award in 2020 are NOT ELIGIBLE TO APPLY in 2021, but will be eligible to apply for the MGP 2022 cycle if your project is completed and you have submitted your Final Report by January 31, 2021. Other past MGP awardees (from 2019 and earlier) must have submitted a Final Report for their completed project by January 31, 2020, to be eligible to apply in 2021. This restriction also applies to all project partners who were part of a previous project.

WHAT DO WE FUND?

The MGP is a music project-based grant opportunity. Eligible expenses include:

  • Artist, rehearsal and/or performance fees;
  • Direct production costs (sound and video recording and engineering costs, instrument rental, instrument tuning, and/or sound system rental necessary for performance);
  • Venue rental costs;
  • Composer fees  for commissioning and/or presentation of a new workand/or associated copying costs;
  • PR and marketing costs specific to the project.

WHAT DON’T WE FUND?

  • An entire season of concerts (although costs associated with a particular concert or festival are eligible);
  • Concerts not open to the general public (i.e., educational or outreach activities at schools or performances exclusively for residents of a senior center, etc.);
  • General operating expenses;
  • Projects in which either applicant or their partner’s organization or ensemble has a budget greater than $150,000;
  • Fundraising events;
  • Purchasing of equipment;
  • Paying off of debts.
Application Tips

Our goal is to make the Musical Grant Program application easy to navigate. Please review our tips on topics and terms you will encounter in the applications.

Practice Applications

We highly recommend all applicants complete this application offline on a practice form first. Once you have completed the practice PDF, you can easily copy and paste your grant material into this online application.

Word Doc

Google Doc

Terms

Project Partner

A project partner is any additional artist or organization that will play an integral part in your proposed project.  A project partner can be a composer, solo musician, ensemble, and/or a presenter. 

If your project will require a project partner, it is important to already know exactly whom you plan to collaborate with and how before you apply for the MGP. This is true for ANY grant you apply for.

Examples of Project Partners:

– An ENSEMBLE looking to have a piece commissioned for them by a Bay Area composer. (The composer is the project partner).

– A PRESENTER looking to have a new concert series with Bay Area ensembles. (Each of the ensembles would be a project partner(s)).

– A COMPOSER applying to have a local Oboe Trio premiere a work on a PRESENTER’Sconcert series. ( The Oboe ensemble AND the presenter would both be the Project Partners).

Alternate Contact information

Your “Alternate Contact” can be your project partner, another ensemble/presenter member, or the next in command.

Brief Description of Project

Keep your “Brief Description” brief and very precise. In this section, you are limited to 100 words, so make every word count. Essentially this is your project narrative answering the: Who, What, Why, and When of your project. For examples of past project descriptions, see MGP past awards description.

History/Performance History

Please make sure your “History of Applicant” is current. Panelists want to see your most up to date bio. This is your chance to show your artistic mission and excellence.

Project Narrative

This is where the panelists want to see the passion for your project. Describe your project in full detail and explain how you will execute your project. Panelists want to know why you are proposing this specific project and what you envision will be the outcome for you, local musicians, and/or the community. 

Budget

This is where we want you to give us an overview of your budget. Cover all of the key areas of your project. Below is an example:

Our budget for this project is $9,700; we are asking $3,000 from the Musical Grant Program. In addition, we have a proposal under review with the Zellerbach Family Foundation ($2,500), which has supported our projects in the past. We expect to cover the remainder through earned income from ticket sales and our private donor base. Our last concert at the Music Center generated $1,800 in ticket sales and donations for that event totaled $1,500.

Project Budget

Please complete the Project Budget so that all applicable boxes contain a number, even if it is a “zero”. Your total Income should equal your total Expenses and your surplus/deficit should be as close to zero as possible (and never a deficit). 

Budget Notes

Budget Notes serve to clarify the amounts you have entered for your Project Budget. They should reflect your thinking on how you have arrived at a particular number. Budgeting of your income and expenses for your project should be based on your past experiences and also on as much firm information that you have about what your actual costs will be for the project. (ie., you should know how much a composer’s commission will be or what venue rental will be, etc.) Please be as realistic as possible and also note that InterMusic SF expects applicants to include fair and reasonable fees for any and all artists, composers and recording engineers. Please use as much or as little space as needed.

The following are examples of information to include in the budget notes:

**Budget notes can be written either by giving a detailed narrative description of the finances of your project or by explaining each line item in the project budget. 

A narrative description example is below:

The current estimated breakdown of costs: $3,200 Performer fees ($800 flat fee rate for the 4 musicians for two performances and a projected 6 rehearsals); $250 for a recording engineer; $1,000 for an administrative/PR staff member; $500 to Music Center for venue rental, staffing fees, & event insurance; $2,000 for production costs, including audio and video documentation; $2,500 for PR/ marketing (poster and postcard printing, direct mailing to Music Center mailing list, and print media ads); and $250 for equipment rental.

Alternatively, here is an example of how to write budget notes by line item:

Line 1. Foundation Grants – Zellerbach Family Foundation $2,500 (pending)

Line 3. Individuals – this figure is based on a total of $1500 donations received for our last event,

Line 6. Admissions – $25 ticket x 75 tickets = $1,875 is what we received from our last event. So we have budgeted $1800 for the proposed project.

Line 16. Performer Fees – $800 fee x 4 musicians for 2 performances and 6 rehearsals

Line 18. Technical Personnel – $250 fee for recording engineer

In-Kind Budget

Please list all in-kind donations and explain them in the information box. In-kind donations are any non-cash goods or services you or your ensemble receives over the course of the project. Some examples are below:

  1. Graphic design, audio recording or videography provided by a friend for free or at a reduced rate;
  2. Food and/or beverages donated by a local business for a performance;
  3. Free use of venue space;
  4. Artist fees for rehearsal and/or performances donated back to the ensemble or project (ie., payment of artists fees at a level that would be significantly less than at a professional union level).

In-kind donations should be listed separately from the Project Budget and they should not factor into the total budget of your project. Listing these donations is useful in demonstrating to the panel your full understanding of the time and work required for a successful project.

Cypress Award

The Cypress Award doesn’t have many stipulations for a reason. The Cypress Quartet designed this additional grant to allow for creative interpretation, so be creative but make sure you thoroughly describe your proposal.

Work Samples

We ask that all applicants try to upload recent high-quality samples that showcase artistic excellence and best correlate to your application.

FAQ
Below is a section of Frequently Asked Questions regarding the Musical Grant Program. If you don’t see the answer for your questions regarding the MGP please check the “Application Tips” page, or send an email to [email protected]

  1. Do applicants or their partners need 501(c)(3) status to apply?
  2. No. 501(c)(3) status is not required for applicants or their partners.

  3. Do applicants or their partners need to have fiscal sponsorship to apply?
  4. No, applicants or their partners do not need fiscal sponsorship to apply.

  5. I am a member of several ensembles. Can I be part of more than one application?
  6. Yes, though each ensemble must have its own separate identity and the primary contact/applicant for a project may submit only one application per cycle. If that applicant is involved in another, separate project application, the primary contact/applicant should be a different person.

  7. I will be an Artist in Residence at a Bay Area cultural institution during the grant period. Can I apply to fund a project that will be presented there?
  8. Most likely not. The MGP is designed to support smaller organizations not otherwise eligible for other funding sources, and so requires that all partners for a project have an annual organizational budget of under $150,000.

  9. My project is a CD recording and I have a contract with a record label to produce the CD. Is the record label considered a project partner and does it have to meet the MGP eligibility requirement of having a budget of under $150,000?
  10. No. Music publishers and labels are not considered project partners for CD recording projects.

  11. Can an applicant commission multiple composers?
  12. It depends on the details of the project. Project budget allocation of fair and respectful compensation to composers for the commissioning of new works is important. The MGP may support an ensemble that commissions several 3-minute pieces from a variety of composers. Or the program might support the project of an ensemble that is commissioning multiple composers with a common theme.

  13. If I am a composer or a presenter, can I submit an application that includes the participation of an ensemble that received an MGP grant in 2020 or has not yet submitted a final report on an MGP grant received in 2019 or earlier?
  14. No. Projects with composers and presenters must have the involvement of an eligible ensemble. Ensembles that received a grant in 2020 are not eligible to apply in 2021, either on their own or as part of a project led by a composer.

  15. If I received an MGP grant in 2019, can I apply in 2021?
  16. Applicants who received MGP grants in 2019 or earlier must have completed their previous MGP project and submitted their final report by January 31, 2021, in order to be eligible to apply for – or be a partner in – a new project in 2021. If you received an award for the 2020 cycle, you may not apply until 2021.

  17. I live outside the Greater San Francisco Bay Area, but am doing a project that will take place in this geographic region. Am I eligible for the Musical Grant Program?
  18. No, applicants must reside, work, and present their projects in the greater San Francisco Bay Area to be eligible to apply. If there are special circumstances that you believe would affect your eligibility under this area (i.e., you reside, work, and present artistic work half the year in the Greater Bay Area but reside elsewhere for the remainder of the year), please contact [email protected] prior to completing an application.

  19. I’m part of a performing ensemble whose project is to produce a concert in the Bay Area. We want to include a guest musician who occasionally performs with us. The members of our ensemble all live and work in the nine Bay Area counties included in the guidelines, but our guest musician resides outside the nine counties. Are we still eligible to apply to the MGP?
  20. Yes. An application may include guest artists or substitute players from outside the nine counties. But the project must be predominantly based in one or more of the nine counties.

  21. How many guest musicians from outside the Bay Area can I include in my application?
  22. It depends on the project. Our funding priority is to support the Bay Area musical community. However, we understand that even established ensembles are not always based in the same locality full-time. If the majority of the ensemble is local, and if you have other sources of funding to pay out-of-town guest artists and can demonstrate that their inclusion will benefit the local musicians and our local audiences, your application will be eligible.

  23. If I am including a composer work sample, do I also need to include the score for the work?
  24. You do not need to, but it is highly encouraged if available and pertinent to the type of music in question. The score should correlate to the sample being provided.

  25. I am a composer/performer and would like to assemble a new quartet of improvisers for a project. Do I need to include a History/Background page for each musician?
  26. No. Please fill out the first History/Background page for yourself, and include a second page, compiling short biographies of the other players onto that single page.

  27. How many grants will be awarded?
  28. Each year, InterMusic SF sets a particular dollar amount to be awarded and distributed. The number of grants awarded will depend on the number and quality of applications received. We anticipate awarding 15-20 grants for the upcoming 2021 cycle.

  29. Can you provide examples of the types of projects that could be supported by the Musical Grant Program?
  30. Please see “Past Awards”.

  31. Can you explain what to include in the mandatory project budget notes on my MGP application?
  32. You can write budget notes in one of two ways:
    1. Provide a detailed description for each line item in the project budget.
    2. Provide a written narrative detailing the overall rationale for the project budget.


    Examples of how to write both line item budget notes and narrative budget notes are included in the Application Information and Instructions.
Cypress Award

 

Made possible through a generous donation from the retired Cypress String Quartet, the Cypress Award will provide up to $5,000 to a deserving musical project that strives to make an educational impact in the San Francisco Bay Area.

Artists applying for funding through the Musical Grant Program can choose to be considered for the Cypress Award, with winners being selected by a panel that will include a former member of the Cypress Quartet. The Cypress Award will be in addition to the gift provided by the Musical Grant Program.

The Cypress Award seeks to celebrate artistic excellence and educational innovation across musical genres.  In their proposal, applicants must display both artistic excellence and a creative approach to education.  Applicants are encouraged to be innovative, thoughtful and bold.  Winners of the Cypress Award will be announced along with the full roster of Musical Grant Program recipients in the spring of 2019

Review Process

REVIEW PROCESS AND SELECTION CRITERIA

An independent panel of four to five experts from the San Francisco Bay Area, representing the diversity of our music community, will review the applications. Their identities will remain anonymous. The decisions of the panel are final. Below are some of the criteria the panelists will use to judge your application.

History & Mission/Artistic Vision of the Applicant

Does the performer or composer applicant demonstrate a compelling history of significant musical activity by listing performances, repertoire or compositions, major collaborators, career highlights (awards, festival appearances, commissions & premieres, etc), and other pertinent biographical information? Does the presenter applicant demonstrate a significant history of successful concert presentation, citing past and/or upcoming programming and providing an organization mission statement?

Project Description

Is there a clear purpose or intention for the project, with a compelling artistic vision that is supported by good planning?

Artistic Excellence and Potential

Is there a high level of musical ability and potential from a performer or composer, and evidence of ability to present high quality concert experiences if applying as a presenter?

Impact

Does the applicant address the impact that the project will have on the artists involved and, if applicable, the local community? Does the presenter applicant address how the project will advance the visibility of the ensemble and/or series in the greater San Francisco Bay Area?

Publicity/Promotion

Is there a well-defined plan for publicity and/or promotion of the project?

Timeline

Is the timeline for the project clearly defined and does it support the successful execution of the project?

Budget

Is the project budget well thought-out and does it demonstrate that the applicant has the potential resources and capacity to undertake and complete the project?

Panelists will be aware of prior MGP awardees and their projects. If you have received an award in the past, be sure to make a strong case for why you need to undertake your new proposed project, and why it’s important to do so for this grant cycle.

APPLICATION FEEDBACK

Feedback about your grant application will be available in May of 2021. Please send an email to [email protected] to request feedback.

MGP Recipients

Cypress Awardee

Lisa Mezzacappa With the support of the Cypress Award, Composer Lisa Mezzacappa and librettist Beth Lisick, will host a series of music and storytelling workshops with Bay Area teens. The series of four free workshops will culminate in a live performance, with groups of students performing their stories and orginal music in Oakland.

Chamber Music Silicon Valley

Chamber Music Silicon Valley‘s annual performance of J.S. Bach’s complete Brandenburg Concerti in San Jose, CA will be performed in conjunction with a new, interactive digital media art installation by Iranian, Sunnyvale-based artist Roya Ebtehaj with a professional music-video recording production for all 6 concerti.

Citywater

Citywater will present a concert including a world premiere by Griffin Candey, and a multi-media work written for Citywater by Derek Keller. The concert will conclude a residency at Cosumnes River College where Citywater will workshop student works, including a student work selected for the final performance.

Cornelius Boots & The Heavy Roots Shakuhachi Ensemble

Cornelius Boots & The Heavy Roots Shakuhachi Ensemble will compose, perform, and record “Wood Prophecy: An Elemental Chamber Symphony” for Bass Shakuhachi Ensemble to premiere April 2021 in San Francisco and Oakland with preview concert-presentations offered at community centers leading up to the performances.

Curium Trio

Curium will record and release their debut CD of chamber music repertoire by women composers including Clara Schumann, Germaine Tailleferre, and Amy Beach.

Destiny Muhammad

Jazz harpist, Destiny Muhammad will present “The Sound of Social Justice: Remembering the Black Jazz Records Label.” This concert of new compositions inspired by music of The Black Jazz Records Label’s Social Justice Legacy will include a public discussion with Black Jazz Records artist, Calvin Keyes.

Ellen Fullman / The Living Earth Show

Ellen Fullman will compose a new collaborative work for The Living Earth Show, “There You Are” featuring Fullman performing on the Long String Instrument, set in an enormous industrial sized space.

Gold Coast Chamber Players / Alexander String Quartet

Gold Coast Chamber Players will partner with the Alexander String Quartet to present two concerts and educational activities around the theme “Dvořak’s America” exploring the influence of Spirituals and Native American music on Dvořak’s “American” chamber music. The concerts will feature renowned Native American flutist Mary Youngblood and soprano Alexa Anderson.

Jean Fineberg / JAZZphoria Octet

Jean Fineberg will compose and arrange three new pieces for the JAZZphoria octet. The new compositions will be premiered in concert and recorded for JAZZphoria’s debut CD.

Joe Warner Trio

Joe Warner will construct a suite of music representing the breadth of African-American music from the early 1900s to the present day collaborating with choreographer Traci Bartlow in a presentation exploring the intersections of instrumental music and movement.

Kasey Knudsen Sextet

The Kasey Knudsen Sextet will record and produce their debut recording of original compositions and arrangements by saxophonist Kasey Knudsentaking inspiration from the writings of Oliver Sacks and Truman Capote, the art of Deborah Oropallo, and the films of Federico Fellini.

Lisa Mezzacappa

Composer Lisa Mezzacappa and librettist Beth Lisick, will produce “The Electronic Lover” a digital opera, set in chat rooms in the early 1980s, to be released as a serial podcast with a live concert finale featuring a versatile and diverse cast of Bay Area vocalists and instrumentalists.

Michael Echaniz Group

The Michael Echaniz Group will produce its debut album, “Seven Shades of Violet,” featuring the piano trio; Michael Echaniz, piano and keyboards, Jeff Denson, Bass, and Dillon Vado, drums, with vocalists Danielle Wertz and Jeff Denson and additional instruments including Latin percussion and string quartet.

Music is First!

Music is First! will create an album of 18-25 short songs that are used in early education sites throughout the Bay Area as a resource for teachers, parents, and students. The songs are matched with lesson plans and books to align with the California State Preschool Visual and Performing Arts standards,

Nippon Kobo Ensemble / Erika Oba

Nippon Kobo, a new Japanese cultural event series that features chamber music performance paired with beverage tastings and visual arts, will present its inaugural. Nippon Kobo Ensemble, a collective of Bay Area musicians, will commission and premiere a new work by Erika Oba, a Japanese-American composer based in Berkeley, along with

San Francisco International Piano Festival / New Piano Collective

New Piano Collective will present the 4th-annual San Francisco International Piano Festival directed by pianist Jeffrey LaDeur, partnering with Lieder Alive! and Artist-in-Residence Kindra Scharich to perform chamber music and vocal works of Schubert. 

Sl(e)ight Ensemble

Sl(e)ight Ensemble will present their upcoming series, “Of California Ecology,” a program of new works each based on a different facet of California’s natural world. The trio will present compositions by Julie Herndon, ensemble members, and the winner of the ensemble’s call for scores from student composers.

Socorro De Castro

Socorro De Castro will record original compositions and arrangements of Filipino Classics and Original Pilipino Music (OPM) integrating jazz and ethnic world music and instruments. The CD release will take place at Piedmont Piano Co. in Oakland, by October 2021.

Stenberg|Cahill Duo / Pamela Z

The Stenberg|Cahill Duo, with violinist Kate Stenberg and pianist Sarah Cahill, will commission composer/vocalist Pamela Z to compose “Presence,” a multimedia work to premiere in San Francisco in spring 2021.

Strobe

Oboe quartet Strobe will record three commissioned works by Alexis Alrich, Neal Desby, and Vincent Russo to be released by Sienna Records with performances in San Francisco, Berkeley, and Grass Valley.

The Alaya Project

The Alaya Project will compose, record, and perform a series of experimental musical works highlighting traditional and collaborative intersections of south Indian classical, jazz, and funk traditions.

The Dynamic Miss Faye Carol

The Dynamic Miss Faye Carol will construct a suite of music entitled “Songs of Freedom, Sounds of Change,” exploring themes of social justice, the pursuit of freedom, and quests for change.

The Lee Trio

The Lee Trio will produce a recording of “Fern Flowers” composed for the group by Uljas Pulkkis paired with Felix Mendelssohn’s iconic Trio No. 2 in C Minor.

2019 - MGP Awards

Ars Minerva Early Music, Opera.
Ars Minerva will produce Ermelinda, an opera composed by Domenico Freschi in 1680 with libretto by Francesco Maria Piccioli, which has never been performed since its creation at Teatro delle Vergini near Venice. The “Modern World Premiere” will take place November 2019 at ODC Theater. 

 

The Berkeley Festival of Choro Brazilian, Festival.
Berkeley Festival of Choro will promote, produce and record its annual festival at St. John’s Presbyterian Church, Berkeley in October 2019.

 

Brass Over Bridges / Julie Barwick Classical Music, New Music, Commission.

* 2019 Cypress Awardee *
Brass Over Bridges will commission composer Julie Barwick for a new work, inspired by Bay Area poetry and poets, drawing from the diverse literary communities of the Bay Area. The piece will be premiered on a Brass Over Bridges recital of music by female composers in San Francisco, in the spring of 2020.

 

The Chromelodia Project / Chris Brown Experimental, New Music, Commission, Recording.
Composer/performer Chris Brown will compose & record a new piece for his ensemble, The Chromelodia Project (with Theresa Wong and Kyle Bruckmann) exploring just intonation, improvisation, and interactive computer music. The new work will at the Center for New Music in San Francisco.

 

Ensemble ARI / Jean Ahn New Music, Classical Music, Commission.
Ensemble ARI will commission Jean Ahn to write a new piano quartet to premiere on their women composers concert, January, 2022 at St. Mary’s College, Moraga. The Commission initiates the ensemble’s “piano quartet library project,” enriching the repertoire of contemporary music for piano quartet.

 

Ensemble for These Times / Elinor Armer New Music, Classical, Commission.
Ensemble for These Times will commission and premiere “Matrix” by Bay Area composer Elinor Armer for soprano and piano, setting texts by two Bay Area poets, Ursula K. LeGuin and Rella Lossy. The new work will premiere as part of the concert-program “Mothers, Daughters, and Families,” a musical exploration of inter-generational issues affecting women.

 

The Frank Tusa Ensemble Jazz, Recording
Frank Tusa will write and record eight new compositions within diverse jazz combos, from duos with flute, to sextet including tabla.

 

Friction Quartet / Danny Clay New Music, Commission
Friction Quartet will commission Danny Clay and present a new educational concert developed to be engaging and inclusive of youth with cognitive, behavioral, and physical differences. The new work, to be premiered at the Pomeroy Recreation and Rehabilitation Center in San Francisco, will involve audience participation and will be designed to be accessible for all levels of ability.

 

L’arc Trio / Vivan Fung Classical Music, New Music, Commission.
L’arc Trio will commission Vivian Fung as part of the program, “Beethoven 250,” a concert celebrating the legacy of Beethoven’s piano trios for his 250th anniversary year in the spring of 2020. L’arc Trio will perform two Beethoven piano trios alongside the premiere of Fung’s commissioned work, “inspired by Beethoven’s indomitable spirit.”

 

Mads Tolling / The Mads Men Jazz, Commission

* 2019 Cypress Awardee *
Mads Tolling will compose a four-movement piece for his band, The Mads Men, inspired by Danish philosopher Søren Kierkegaard’s masterpiece “Either/Or,” with rapping, singing and spoken word in English and Danish by special guests and Mads Tolling. The premiere performance will take place at The Freight & Salvage and in October 2020.

 

The MANA Quartet / Common Sense Composers’ Collective New Music, Recording
MANA Quartet will premiere and record 8 new compositions with the eight-member Common Sense Composers’ Collective.

 

MediusTerra Horn Duo / Aida Shirazi New Music, Classical Music, Commission.
MediusTerra Horn Duo will commission and premiere “Songs of Dionysus,” a new work by Davis-based Iranian composer Aida Shirazi juxtaposing unexplored nuances in Iranian classical music with modern French Horns and electronics. The premiere performance will take place in the spring of 2021.

 

Melody of China Chinese, Persian, Commission
Melody of China will present a concert with Nejad World Music Center as part of the 2020 San Francisco International Arts Festival in June 2020. Collaborating with Mohammed Nejad and guest musicians, the program will feature new arrangements of traditional Chinese and Persian melodies as well as an experimental new work for Chinese/Persian mixed ensemble.  

 

New Moon Duo / Nicolas Lell Benavides New Music, Commission
New Moon Duo – pianist Anne Rainwater and mezzo-soprano Melinda Becker – is commissioning composer Nicolas Lell Benavides to write a new song cycle exploring the unique cultural identity of New Mexicans. The songs will be sung in Caló a dialect of Spanish spoken first by Chicano communities in New Mexico and Texas along the U.S.-Mexico border, and later spreading to Los Angeles and the Bay Area.

 

Outsound Presents: Outsound New Music Summit New Music, Festival
Outsound Presents will host its 18th Annual Outsound New Music Summit, July, 2019 at the Community Music Center in San Francisco. The Summit will feature six nights of performances showcasing new musical works and improvisations by local artists and national guests, showcasing the world premiere of Tomography Fortunae, by Polly Moller Springhorn; the collaboration of Francis Wong and dancer Lenora Lee; and percussionist duo, William Winant and improviser Zachary James Watkins.

 

Quinteto Latino Classical Music, New Music, Latin American, Recording
Quinteto Latino will produce studio-recorded videos of Waldir Azevedo’s “Brasileirinho” and Astor Piazzolla’s “Libertango,” two short works central to their core concert repertoire, both arranged by composer Mark Fish. 

 

Rent Romus / Heikki Koskinen Jazz, World Music, Commission
Rent Romus will record a new project, co-written with Heikki Koskinen entitled “Manala” (netherworld), for Romus’ nonet, the Life’s Blood Ensemble. The project weaves elements of jazz, traditional folk, and free improvisation, inspired by the mythic prose of cultural liberation and identity in the Finnish national epic, the Kalevala, and the folklore of northern arctic traditions.

 

Splinter Reeds / Amadeus Regucera New Music, Experimental Music, Commission
Splinter Reeds will commission composer Amadeus Regucera to compose “With|Against,” a new multimedia work highlighting the reed quintet’s virtuosity and engaging in interdisciplinary practices including video, light, and spatialized movement in an exploration of uncommon audience engagement and participation. The premiere will be presented by Indexical, an experimental music nonprofit in Santa Cruz, at Radius Gallery in early June 2020.

 

Teslim Contemporary Modal, Commission, Recording
Teslim will produce “7 Decades,” a recording of compositions by Kaila Flexer, inspired by Turkish, Greek and Sephardic folk music as well as blues, jazz & western classical chamber music. 

 

Hyo-shin Na / Wooden Fish Ensemble Classical Music, New Music, Japanese, Korean, Commission
Wooden Fish Ensemble will present a program of Hyo-shin Na‘s music for Japanese, Korean, and western instruments at Old First Concerts on October 27, 2019. Four new works will be commissioned and premiered, along with three of her older works. 

 

ZOFO / Pablo Ortiz New Music, Commission
ZOFO will commission Argentine American composer Pablo Ortiz for a piano duet concerto with two versions, one with string orchestra, and the second with string quintet, premiering in 2020. The pianists will sit on cajónes, changing quickly between playing the Latin-American box percussion instruments and the keyboard.

2018 - MGP Awards

Classical & New Music

• African American Composer Initiative to commission composer Joshua McGhee and present their 10th anniversary concerts at at the Performing Arts Center of Eastside College Preparatory School, East Palo Alto in January 2019 presenting the rich heritage of music by African American men and women of  the past and present.

• Richard Aldag and Vinifera Trio, for production costs to complete a CD of chamber music by Richard Aldag on Albany Records in Fall 2018.

• Ted Allen to compose and perform “Death Is Reincarnated in Every Flower,” a new work for his ensemble, The Incendiary Cycle. The piece will include spoken word poems by six California-based poets, including two young writers recently recognized by the Oakland Youth Poet Laureate program. To be premiered in the fall of 2019.

•* 2018 Cypress Awardee * Amaranth Quartet to commission “Break,” a new work by D. Riley Nicholson premiering at the Center for New Music and Arc Gallery in May of 2019. The program, Bend, Bent, Break, will include Philip Glass’s string quartet Bent and new work by an emerging Bay Area young composer (16-24) chosen through a call for scores and workshop process.

• The Dirty Snacks Ensemble to record and release the second full length record of original compositions by ensemble leader Mark Clifford.

• Bassist Sascha Jacobsen with Trio Garufa to compose Contra un Bajo de Magia accompanied by a short narrative film, directed by Neeti Fidurko, and Argentine Tango dancer, Andrea Fuchilieri. The premier performance will take place at the CELLSpace in the fall of 2019.

• Anna Maria Mendieta’s Tango Del Cielo to complete their debut album The Harp-Tango Project recorded at Skywalker Ranch and support CD release concerts in Summer 2018.

• Nash Baroque to present two performances of Baroque music and dance in collaboration with Jennifer Meller and the San Francisco Renaissance Dancers, exploring the influence of 18th-century French dance forms on the music of J.S. Bach.

• Nomad Session to commission two new wind octet pieces from composers Emily Shisko and Mario Godoy based on the 2018–2019 concert season theme “Eight.” Premiere performances will take place March 23, 2019 and May 18, 2019 at the Brightworks School in San Francisco.

• Redwood Tango Ensemble to commission four new future-driven tango compositions by bandleader & Bandoneonist Charles Gorczynski. The program takes audiences through the history of contemporary tango, from 1950’s Astor Piazzolla to the cutting edge of contemporary tango music from Argentina today.

• sfSound to commission Ken Ueno to write “Numinous,” a new hour-long concert piece for chamber ensemble with acoustic reflective shells and 20 small mobile speakers, to be premiered at the 2019 sfSound Festival.

• Edward Schocker to compose “Self_Less“, a multipart series of works premiering at the 2019 San Francisco International Arts Festival by The Crossing Ensemble.

• The Sonya Rapoport Legacy Trust to commission “Rapoport Remembered,” a musical composition to re-imagine the work of Berkeley artist Sonya Rapoport (1923-2015) through the medium of sound. “Rapoport Remembered” is to be composed and performed by Hae Voces (violinist Kristina Dutton and vocalist Majel Connery) and premieres June 1-2, 2018 at the Kala Institute, where Rapoport exhibited during her lifetime.

 

Jazz & Creative Music

• Ian Carey’s Wood/Metal/Plastic to support the recording and release of their self-titled debut album featuring original compositions that incorporate elements of chamber music, jazz, and free improvisation.

• Ian Dogole & Music Beyond Borders to present Karma – A Musical Tribute to Pharoah Sanders at the Berkeley Hillside Club in September 2018.

• George Brooks’ Elements Trio to perform a Bay Area CD release celebration of their new recording, The Alchemy of Happiness in Spring 2019.

• Ben Goldberg to compose a suite of music for his sextet Ben Goldberg School to be performed and recorded on their second studio album.

• Klaxon Mutant Allstars to produce their second album of original instrumental jazz compositions and arrangements exploring textures and sounds inspired by nostalgia of the 1980s

• Composer and bassist Lisa Mezzacappa and her acclaimed Bay Area original jazz sextet, Lisa Mezzacappa Six to compose and develop Cosmicomics 2018, a new body of electro-acoustic work, inspired by Italo Calvino’s stories about the origins of the universe. To be premiered in three concerts in San Francisco, Berkeley and San Rafael in November 2018.

• Ben Misterka to produce Music, the International Language, comprising a video series, concert performances, and workshops. The project features conversations and duo improvisations from musicians of different cultures, highlighting the vibrant international and world music artists of the Bay Area community and abroad.  

• Anne Sajdera to record and produce original compositions and arrangements for jazz quintet integrating modern jazz with funk & Brazilian/Latin rhythms and traditional Roma (gypsy) melodies.

• Linda Tillery & The Cultural Heritage Choir to present the Linda Tillery 70th Birthday Concert Project, a two-night celebration of the life and artistry of Linda Tillery on September 7th & 8th, 2018 at the Freight & Salvage Coffeehouse, Berkeley in collaboration with six guest ensembles.

2017 - MGP Awards

CLASSICAL and CHAMBER MUSIC

BERKELEY CHAMBER PERFORMANCES to present the THALEA STRING QUARTET in a public evening concert on March 20, 2018 at the Berkeley City Club as part of BCP’s 2017–2018 Season.

LIEDER ALIVE! to commission and premiere four “neue Lieder” by KURT ERICKSON, Composer-in-Residence, and three additional composers, to be paired with Lieder from the standard repertoire.  To be performed by soprano HEIDI MOSS, mezzo-soprano KINDRA SCHARICH, bass KIRK EICHELBERGER January 2018.

NICHOLAS PHAN RECORDING PROJECTS to record and film Ralph Vaughan Williams’ vocal chamber works “The Unquiet Grave,” “Blake Songs,” and “Along the Field” performed by NICHOLAS PHAN, tenor; BENJAMIN BEILMAN, violin; JAMES AUSTIN SMITH, oboe; and ROBERT MOLLICONE, piano.

ROSSOROSE DUO to present their concert project “Nocturnes: Nightfall Illuminated” and to commission ALISA ROSE to compose “Nocturne for America” a piece to be included in the concert project.

JAZZ and CREATIVE MUSIC

ANTHONY BROWN to compose “Down by the Riverside: Requiem for a King” commemorating the 50th anniversary of the assassination of Dr. Martin Luther King. To be premiered at the 2018 SF International Arts Festival by the ASIAN AMERICAN ORCHESTRA and VOICES OF A DREAM vocal ensemble with recitation by Dr. Cornel West.

NATHAN CLEVENGER for the recording and production of a new album by the Nathan Clevenger Group.

ERIK JEKABSON TRIO to complete the production of Erik Jekabson’s CD featuring PETER BARSHAY and VINCE LATEANO.

ANDREW JAMIESON to compose and record a set of original arrangements that integrate experimental and traditional African American spirituals, in partnership with the TROUBLE ENSEMBLE made up of San Francisco Bay Area musicians.  

JAZZ IN THE NEIGHBORHOOD to present “Emerging Voices – Edition 1” a concert with three local rising jazz professionals—IAN FAQUINI, guitar; ERIKA OBA, piano; and DILLON VADO, vibraphone—and their respective ensembles—at the San Francisco Community Music Center, October, 2017.

KUGELPLEX to commission and perform “The Hungarian Gospel Suite”, a collection of traditional American Gospel songs set to original music inspired by Transylvanian Romany dance music, composed by DAN CANTRELL and performed by the Kugelplex ensemble, featuring guest vocalist, LINDA TILLERY.

MONTCLAIR WOMEN’S BIG BAND to record and produce the ensemble’s second album, a collection of original big band tunes and arrangements primarily by women including ensemble members ELLEN SEELING, JEAN FINEBERG, and CHRISTY DANA and featuring many of the outstanding women jazz soloists in the Bay Area.

  1. RICHMOND JAZZ QUARTET to record their debut album of 10 pieces in several different styles of music written and arranged by ensemble leader EMILY ONDERDONK.

RATATET to record, mix and manufacture a 6 song EP of original compositions by leader ALAN HALL, exploring, in a modern jazz context, the unique tonal possibilities of Bassoon, English Horn, Cello, Vibraphone, Trombone, Voice, Piano, Organ, Double Bass, Electric Bass, Percussion and Drum Set.

COOKIE SEGELSTEIN with VERETSKI PASS for the composition and CD recording utilizing formerly lost melodies of pre-Holocaust traditional, Czech-Jewish music. COOKIE SEGELSTEIN, JOSHUA HOROWITZ, and STUART BROTMAN will create a program of music that combines traditional folk resources from Bohemia and Moravia with new compositions.

NEW MUSIC

BLACK CEDAR to commission URSULA KWONG-BROWN’s “In Transit” for flute, cello, guitar, and electronic tape, incorporating the voices of Bay Area residents and their experiences as transplants from other regions and cultures.  To be performed around the Bay Area in October 2017, February and June 2018.

COMPOSING TOGETHER to present “My Words, My Music,” a concert series partnering composer/musicians KATRINA WREEDE, MOSES SEDLER, SARAH ZAHARAKO, and BRENDAN LAI-TONG with Poet in Residence, ALAN BERN, to be performed in libraries throughout the bay area.

KRISTINA DUTTON with electronic musician SILVIA MATHEUS to compose and perform “Horizontal Cobalt,” a musical reimagining of famed Bay Area artist Sonya Rapoport’s visual work.

ENSEMBLE FOR THESE TIMES to commission and perform “Die eichne Tür” (working title) by composer DAVID GARNER for soprano, English horn, violin, cello, and piano. Preview and premiere performances in April 2018.

AMY FOOTE to produce “The Voice and The Machine” a concert program that examines the role technology has in our emotional well-being. Including the commission and premiere of DENNIS AMAN’s new work for invented instruments and five performers.

GALAX QUARTET to record works written or arranged for the ensemble including Robert Morris’s “Radif IV (Galax Quartet version)”, Joseph Schwantner’s song cycle “Dream Drapery: Thoreau Songs” and Marc Mellits’s “String Quartet no. 2: Revolution.” To be released with the label Music & Arts (Berkeley CA).

AARON GERVAIS to compose and present a new piece for live electronics and a variable ensemble of 1-5 instruments, to be premiered by the STENBERG–CAHILL DUO in 2018.  

GUERRILLA COMPOSERS GUILD to present the SIROKO DUO for its season opener, commissioning two new chamber works from local composers NICK BENAVIDES and MICHAEL KROPF.

VAN-ANH VO to compose and perform “Songs of Protest” with her VA’V Ensemble of Vietnamese traditional instruments as the core sound, complemented by electronic music and Western instruments.  To be performed at Yerba Buena Center for the Arts in spring 2019.

 

2016 - MGP Awards

African American Composer Initiative to present two public performances of the Eighth Annual Concert of Music by African American composers, which will include a wide variety of styles, eras and genres, spanning classical and jazz idioms and performed by the core group of musicians of the AACI, as well as outstanding Bay Area classical and jazz musicians and guest artists.

 

Berkeley Choro Ensemble to record and release their first album, featuring a collection of works by living Brazilian composers, as well as works by clarinetist Harvey Wainapel and a commission from guitarist and composer, Ricardo Peixoto.

 

Sheldon Brown to master and produce an album of studio recordings of his recent composition, Blood of the Air, promoting the legacy of Philip Lamantia, an important figure in the San Francisco Renaissance poetry movement of the late 1940s through the late 1950s, and perhaps America’s foremost surrealist poet.

 

Ian Carey’s Wood/ Metal/ Plastic to compose and premiere a collection of pieces, Set for 7, incorporating contrapuntal textures and varied improvisational settings ranging from structured to free, which will be performed by Carey and six other musicians.

 

Carlos Henrique Pereira Trio to record and release an album of his original jazz and Brazilian style compositions, featuring the recently transplanted Sonoma County resident as leader on his dual main instruments of piano and nylon string acoustic guitar.

 

Ben Goldberg to record and release an album, Hocus Pocus, a collection of six etudes composed by Steve Lacy, built of his musical language and characterized by repeating segments, and adapted in 2014 by Mr. Goldberg and Michael Coleman for clarinet/piano duo.

 

Phillip Greenlief (saxophone), Fred Frith (guitar), and Rashaun Mitchell (dance) to perform and record improvisations, to be released on DVD and internationally distributed, marking the premiere collaboration of three singular artists, highlighting the visual form of dance with the physicality of improvising musicians to create an embodied sound score.

 

Jon Jang to compose an eight minute work for the Jon Jang Ensemble of three woodwinds, two brass, and rhythm section, entitled Yank Sing Work Song, to celebrate the recent major victory of the Yank Sing restaurant workers, who won a four million dollar settlement in November 2014, as a continuation of his body of works paying tribute to Chinese workers.

 

The Living Earth Show to commission, premiere, and tour a new work for electric guitar, percussion, and live electronics by composer Zachary James Watkins, involving invented instruments and tuning that investigate whole number interval relationships, based on desires to explore harmonic territory, periodicity, composite waveforms, resonance, texture, and the spatial diffusion of sound sources to achieve rich, saturated environments.

Lisa Mezzacappa to record and disseminate her evening length song cycle, Glorious Ravage, inspired by the writings of Victorian lady explorers, featuring an ensemble of acclaimed California instrumentalists performing live and commissioned films, and to be released in 2017 as both an audio CD and on-demand video available for online streaming.

 

Molina/ Ackamoor Duet to compose and perform The Spirit, Breath of Life, an evening of improvised, ritualistic, and cleansing ceremonies, as musical homage to the grassroots national uprising that has been precipitated by the deaths of African American men and young men of color at the hands of police, and as a means of collective healing and “breathing in one complete breath” for all Americans.  

Music at the Mission to commission and perform the world premiere of a new work, The Golden Door, by Composer-in-Residence Mark Fish, inspired by immigrant stories from Chinese, Filipino, and Afghan residents of the Tri-Cities of Fremont, Newark, and Union City, and will include musicians from these cultures playing traditional instruments, as well as video projections capturing the Tri-Cities immigrant experience.

 

Noe Valley Chamber Music to present a concert of the Thalea String Quartet, its Emerging Artist for 2016/17 season, as part of both the Osher Inside-Out and contemporary [email protected] concert series, including Musical Conversations, a pre-concert talk led by musicologist Kai Christiansen.

 

One Great City Duo to record and release its second full length album, featuring premiere recordings of commissioned works by Shahab Paranj, Eric Choate, Ben Dameron, and Renaud Cote-Giguere, transcribed and arranged repertoire, as well as contemporary music by Sergio Assad, Celso Machado, Dusan Bogdanovic, and Stephen Goss.

 

Outsound Presents to present the creative works of the three contemporary ensembles: Brett Carson’s Mysterious Descent; IMA featuring Nava Dunkelman and Amma Ateria; and Mark Clifford’s Dirty Snacks Ensemble during the 15th Annual Outsound New Music Summit Festival.

 

Jim Santi Owen, to present an evening length performance of original and improvised new music,  in collaboration with sarode artist and composer, Alam Khanof, based on their year-long research of rare ragas (melodic modes) and talas (rhythmic cycles) of North Indian Classical Music.

 

Rent Romus to perform and record live The Road to Aacheron, an evening-length original oratorio, in partnership with his Life’s Blood Ensemble and members of The Cornelius Cardew Choir, of otherworldly music composed by Romus and inspired by the Fantastic Pulp Fiction writers of the 1930’s, including HP Lovecraft, Catherine Lucille Moore, and Arthur Machen.

 

Redwood Tango Ensemble to debut and record six fully-scored compositions, including new compositions by leader, Charles Gorczynski, featuring a dance performance, as well as a set of traditional Argentine tango for social dancing, as a means to give dancers an insight to the Ensemble’s more nuanced and modern original material, as well as introduce chamber music fans to the idiomatic musical language of modern tango.

 

Pamela Rose to produce her new stage work, The Blues is a Woman, an ensemble theatrical concert featuring Bay Area women blues musicians who will sing and tell stories woven around the music, augmenting the powerful, truth telling, original songs written and popularized by early Blues Women, and which will feature rarely seen archival film footage and photo projections of these great women in concert.

Splinter Reeds to commission and premiere a sextet composition by composer and performer Theresa Wong, for reed quintet and Wong as vocalist and cellist, employing improvisation and collaborative process that is as central to the development of the work as is conventional notation, and with the creative voices of the individuals involved being at least as important as the instrumentation.

 

Trinity Alps Chamber Music Festival to present End of Time, a new theatrical production centered around Olivier Messiaen’s Quartet for the End of Time, which will feature staging, lighting design, and a video-like onstage projection that will tell the story of Messiaen and the creation of this historical and powerful work.

 

Trois Bois Wind Trio to record and release their first full length album of music written by French composers between the years 1945-1947, including one never before recorded work, as a means to capture the remarkable connections that existed between the composers of this era and how the political and cultural landscape affected their style.

 

The Wooden Fish Ensemble to premiere Koto, Piano II, two commissioned works by Hyo-shin Na, a piece for Koto (Japanese zither) and piano, and a piece for koto and bass koto, as an addition to Na’s series of 4 duos composed for and recorded by the Ensemble.

 

2015 - MGP Awards

AREON FLUTES to record and release their third full-length album, featuring works commissioned to celebrate their 10th Anniversary Season from Bay Area composers SAHBA AMINIKIA, DAN BECKER, RYAN BROWN, and DANNY CLAY.

RICHARD ALDAG to record Nocturne & Dance for Violin, Clarinet, and Piano (2014) with TRIO VINIFERA for a disc of his chamber music to be completed in Fall 2016. The piece will be premiered at the Jarvis Conservatory (Napa) in May 2015.

BRAZZISSIMO to commission member DEAN BOYSEN to create a new work for ten-piece brass ensemble to be premiered in 2016 at the Castro Valley Center for the Arts. 

BAUMER QUARTET to record several core works for string quartet, partnering with a high-quality recording engineer from the Cleveland Institute of Music.

KYLE BRUCKMANN to compose a new work for a Creative Music ensemble of single and double reeds, electric bass, percussion, and electronics, incorporating writings of Bay Area poet Matthew Shears, for a June 2016 premiere in Oakland.

IAN DOGOLE to present Afro-Weston, a musical tribute concert featuring new arrangements of pianist Randy Weston’s Afro-infused Jazz compositions.

EINSTEINIUM QUARTET to commission a new chamber work for saxophone quartet by Bay Area composer MARIO GODOY, to be premiered at the Center for New Music in 2016.

ENSEMBLE SAN FRANCISCO to present two Fall 2015 concerts (one in San Francisco and one in Portola Valley) featuring the Brahms Clarinet Quintet along with works of Barber and Auerbach.

JEAN FINEBERG to compose an original work for MONTCLAIR WOMEN’S BIG BAND, an 18-plece jazz chamber ensemble, encouraging the community to explore the music of Jazzwomen In the Bay Area and beyond.

THE GALAX QUARTET to arrange, rehearse and premiere a new version (for string quartet and keyboard) of American composer Carl Stone’s neglected work, Hai Ky.

 

IGNITION DUO to complete and release their debut album of music for two electric guitars, including works by local composers NICK BACCHETTO, RYAN BROWN, and DANNY CLAY.

SASCHA JACOBSEN to record his second album, Chamber con Alma, featuring his original compositions and arrangements with the MUSICAL ART QUINTET, focusing on a theme of the soulful, spiritual nature of music.

ERIK JEKABSON to record and produce a new CD of original compositions and arrangements for jazz quintet.

DAVID JAMES’S GPS to record a debut album of the leader’s original works, for an ensemble of electric guitar, clarinet, viola, trombone, acoustic bass and drums.

JEWISH MUSIC & POETRY PROJECT to record a CD of four works about the Holocaust for soprano, cello, and piano written for them by composer DAVID GARNER to poems by Jewish women survivors.

HEIKKI KOSKINEN to perform and record his arrangements of Nordic and Finnish songs with a new ensemble, NORTHERN WINDS AND VOICES.

LIEDER ALIVE! to commission three “neue Lieder” by KURT ERICKSON to be premiered by soprano Heidi Moss on September 13, 2015, at their fifth annual Liederabend Series at the Kanbar Performing Arts Center in San Francisco.

DESTINY MUHAMMAD to score three Jazz suites inspired by Devorah Majors’ play Black Classics: The African American Voice in 19th Century San Francisco, creating a sonic celebration of Ancestors Mary Ellen Pleasant, William Alexander Leidesdorg and George Washington Dennis.

REAL VOCAL STRING QUARTET to compose, present and record Audible Connections: RVSQ Sister Cities, a cycle of short works based on folk music and poems from eight San Francisco Sister Cities, including Abidjan, Amman, Assisi, Barcelona, Haifa, Osaka, Seoul, and Shanghai.

ROVA SAX QUARTET to record and distribute an eleven-instrument structured improvisation work (an Homage for William Butch Lawrence) as well as three longer works composed within the last five years by Rova Sax Quartet members.

JOHN SANTOS to compose and perform Porta Coeli (Portal to Heaven), named after the second oldest church on the island of Puerto Rico and dedicated to his great grandparents, employing traditional Puerto Rican rhythmic and stylistic elements.

EDWARD SCHOCKER to produce the project Crossing with Ensemble Ak, investigating Shinawi, the ancient style of Korean shamanist improvisation.

JOHN SCHOTT’S ACTUAL TRIO to complete and publicize its first CD of music for guitar, bass, and drums.

SHULMAN & STEPHAN to release the recordings of seven original songs by Adam Shulman and Katy Stephan, including both a jazz rhythm section and the REAL VOCAL STRING QUARTET.

SWITCHBOARD MUSIC FESTIVAL to present its 9th annual eight-hour marathon, featuring a diverse assortment of primarily local composers, performers, and bands whose music challenges traditional genre distinctions, on April 2, 2016, at the Brava Theater in San Francisco.

TELEGRAPH QUARTET to record and produce an online digital EP showcasing Leon Kirchner’s String Quartet No. 1 and Anton Webern’s Five Movements for String Quartet.

VAJRA VOICES to perform the medieval music of HIldegard von Bingen on July 31, 2015, featuring director and contralto Karen R. Clark and harpist Cheryl Ann Fulton, and make a commercial recording later in 2015.

MARK WINGES to compose The Moon Dreams of Jacqueline, a new work for the FRICTION QUARTET and four solo singers to be performed in the fall of 2016.

2014 - MGP Awards

A/B Duo to present a concert, with high quality video documentation, of premieres and recently written works for flute and percussion at the Center for New Music with percussionist Christopher G. Jones.

African American Composer’s Initiative to present their 6th annual concert of music by African American composers at the Performing Arts Center of Eastside College Preparatory School. The music will include a wide variety of genres from classical to jazz.

Berkeley Choro Ensemble to commission ensemble member Harvey Wainapel, who will create a new work to be premiered as the grand finale of the Festival of Choro in the fall of 2014 at Freight and Salvage in Berkeley.

The Bernal Hill Players to present “Neighborhoods of San Francisco and Mexico City,” an eclectic program of music from both cities, including two world premieres by Beth Custer and Gabriela Ortiz.

The Black Cedar Trio to record a debut album of published works that have not been commercially recorded as well as a new work by local composer Garrett Shatzer.  The album will be promoted through a series of concerts throughout the greater Bay Area from 2014-16.

Ryan Brown to record “Our Friend Adam,” his breakthrough composition for alto saxophone, piano, electric guitar and bass, as a step in the production of his first full-length album.

George Brooks to create “Ghalib”, a jazz composition for sarode, saxophone and tabla informed by the classical traditions of India.  This piece will be premiered by the composer along with Alam Khan and Salar Nader at Freight and Salvage in Berkeley in early November 2014.

The Delphi Trio to record two live performances at the Maybeck Recital Hall in Berkeley during August and September of 2014.  Repertoire will consist of works by Haydn, Schumann, Faure and Arensky.

Earplay to present the finale concert of its 30th anniversary season in May 2015, including the commission and premiere of a new work by Carla Lucero alongside works by Dohee Lee, Nicolas Tzortzis, and Henry Cowell.

Farallon Quintet to record its debut album, “Unknown Clarinet Quintets,” including works by Bernard Herrmann and Mozart with a recently commissioned work by Bay Area composer Durwynne Hsieh.

Firesong Ensemble to commission and present a new vocal chamber work by Bay Area composer Jen Wang in concert alongside works by Yotam Haber, Richard Pearson Thomas, Shulamit Ran and Ned Rorem.

martha & monica to present “Out of the Box”, a three-evening festival for cello and piano, exploring the world of colors, timbres and textures from the past 50 years. Featured composers will include Feldman, Scelsi, Takemitsu, and Xenakis.

Lisa Mezzacappa to compose and develop “avant-NOIR,” a new electro-acoustic body of work inspired by noir genre fiction for her experimental jazz quartet Bait & Switch.  The work will be performed twice in the Bay Area in the fall of 2014.

Music at the Mission to present a 10th anniversary concert on the theme of “Fairy Tales – the Meeting of Music, Storytelling and Painting,” featuring works of Schumann, Ravel, Stravinsky and Prokofiev and living composers Bolcom and Deak, all connected by the theme of fairy tales. Painter Antoine Cavlier will create paintings inspired by the music that will be projected to accompany the performance.  

New Esterhazy Quartet to perform the complete late Beethoven Quartet cycle on period instruments at Berkeley’s historic Hillside Club on August 14-16, 2015.

Nonsemble 6 to premiere two monodramas – one-woman chamber operas, with ensemble accompaniment – by composers Adrian Knight and Jonathan Russell in the 2014-15 season.

Outsound Presents to present the original creative works of The Emergency String (X)tet, Bill Noertker’s Obstreperous Doves and the Rankin-Parker/Pearce duo during the 13th Annual Outsound New Music Summit in July 2014 in San Francisco.

Ricardo Peixoto to record his first full album as composer and bandleader, featuring recent compositions for mixed ensembles grounded in Brazilian jazz traditions.

Daniel Plonsey to compose “Strings, Union, Calculus,” for string trio with saxophone, mezzo-soprano and percussion.  This set of pieces is inspired by the composer’s experience as a high school math teacher.

Potaje Ensemble to present a free concert with composer and guitarist Florante Aguilar, featuring two new works exploring the historical musical connections between the Philippines, Latin America and Spain.

Rent Romus Life’s Blood Ensemble to record and perform “The Otherworld Cycle.” This collection of new jazz compositions and improvisations is inspired by the ancient poems of the Finish National epic known as the Kalevala.

Salon Classique to present the Tango Salon Project as the opening concert of their 2014-2015 season at the St. George Distillery.  The project features Argentinian Tango for up to seven instruments as well as Spanish and French chamber music.

San Francisco Salon Series to present three multi-media chamber music salon concerts between August 2014 and May 2015. The publicly advertised concerts, taking place in private homes, are intended to bring together curious audience members who are more typically engaged in different artistic and technological disciplines.

sfSound to commission ensemble director Matt Ingalls to create “Hilbert Transforms,” a new work for chamber ensemble incorporating traditional and graphic notation, improvisation, and electronics. sfSound will perform the new work  in March of 2015.

Sonic Forest to present four free, public concerts with a wide variety of compositions and improvisations for oboe and piano at three community centers run by Homeward Bound Marin, an organization that provides services to the homeless.

Sounds New to present a retrospective concert including a new work, celebrating the 85th birthday of director and composer Herbert Bielawa

Splinter Reeds to commission a new work for reed quintet by Bay Area composer Aaron Novik based on a Margaret Atwood quote.

Tangents Guitar Series to present a retrospective program dedicated to the guitar works of seminal American experimental composer James Tenney, culminating in performances in San Francisco and Santa Cruz.

The Living Earth Show to record DANCE/\MUSIC, consisting of five electro-classical compositions commissioned by the ensemble from Anna Meredith, Daniel Wohl, Chris Cerrone, Jonathan Pfeffer, and Jacob Cooper.

Bill Horvitz to create six new works for the Skerries Sextet, an expanded version of the versatile jazz trio he leads as composer and guitarist.

Trinity Alps Chamber Music Festival to commission composer Danny Clay to write a work for narrator and chamber ensemble based on Rudyard Kiplings’s “Just So Stories”.  The work will be presented at the festival’s September 7, 2014 Grandparents’ Day Family Concert.

Voicehandler to produce a debut album of their collaboratively-composed experimental song cycle for voice, percussion and electronics.

Voices of Music to present four Bay Area concerts exploring 17th century English poetry, from Shakespeare to Dryden, through the music of 17th century composers from Dowland to Purcell.

Liam Wade to compose a new work for soprano, piano, and cello that Ann Moss, Steven Bailey and Emil Miland will premiere as part of a January 2015 recital in San Francisco.

Wild Rumpus a contemporary chamber ensemble, to present its fourth season opening concert in October 2014 featuring new commissions by Per Bloland, Ioannis Angelakis and Ruby Fulton.

 Pamela Z  to complete and release a CD featuring the world premiere recording of her 2013 chamber work “Carbon Song Cycle,” for voice and electronics, bassoon, viola, cello and percussion.

 

 

2013 - MGP Awards

Active Music Series to present a three night Active Music Festival in Oakland’s Uptown Nightclub featuring the Oakland Active Orchestra. The Active Music Series supports non-traditional notation, conduction and other forms of large ensemble improvisation.

 

Addleds to present three concerts at the Lab in San Francisco. Addleds is an improvisation quartet consisting of oboe/English horn, contrabass, percussion and koto.

Asian American Jazz Orchestra leader Anthony Brown to compose “Our Eyes on the Prize: King’s Dream 50 Years On” to commemorate the 50th anniversary of Martin Luther King’s “I have a dream speech”. The work will be performed by the Asian American Jazz Orchestra.

 

Dave Rocha Jazz Group to present five free jazz concerts at various locations throughout the Bay Area including parks, community centers, churches, arts organizations and public plazas.

 

Distant Interval to publish a new one-hour work for six instrumentalists and a vocalist based on the surrealist poetry of local poet Philip Lamantia.

 

Erik Jekabson to release his fourth CD “Rhythm is Our Thing: the Erik Jekabson Quartet with John Santos at the Hillside Club“.

 

Grupo Falso Baiano to record a new CD of the original instrumental Brazilian compositions of founding member Brian Moran as well as works from the little known style of “Roots Samba”.

 

Hannah Addario – Berry / Cello Bazaar to present Sqwonk (a bass clarinet duo), in a performance of works by Bay Area composers as part of “Between the Golden Gates“, a dinner concert series at Bazaar Cafe.

 

Ian Carey Quintet + 1 leader Ian Carey to compose an extended multi-movement “Suite for Quintet+1” to be performed and recorded at the Jazz School in Berkeley.

 

Left Coast Chamber Ensemble to commission a new piece by Laurie San Martin. The new work will incorporate text from Roy Spivey, a story by Miranda July. They will perform the piece at Oakland Art Murmur, PARK(ing) Day, and First Thursday Art Walk.

 

Live Oak Baroque Orchestra to record a CD to establish itself in the Bay Area early music scene.

 

Melody of China to launch a PR and marketing campaign for a concert celebrating their 20th anniversary in December 2013. The concert will feature traditional Chinese music on traditional instruments as well as a retrospective of select contemporary works from the last 20 years.

 

Miguel Martinez y Corazon Sur to record songs by Mexican composers who are well-known in Latin America but not in the United States. They will record these songs as Latin Jazz arrangements. Some of the composers include Agustin Lara, Mario Ruiz Armengol, Jose Alfredo Jimenez, and Maria Griver among others.

 

Mobius Trio to produce its second full- length studio album featuring all new works from composers throughout the Bay Area commissioned by the ensemble.

 

Musical Art Quintet leader Sascha Jacobsen to compose a new work for dectet (2 violin, viola, cello bass, flute, clarinet, French horn, tenor sax, baritone sax) for the Musical Art Quintet in collaboration with five well-known improvisational instrumentalists. The work will be performed at the second annual Classical Revolution Music Festival in the fall of 2013.

 

New Keys, to commission Luciano Chessa to compose a work that will showcase the collective efforts of the six pianists who make up New Keys. The commission is honor of the ensemble’s10th anniversary.

 

Noe Valley Chamber Music to present the Lee Trio performing works by Ravel, Beethoven and Smetana, as part of its 2013-2014 season’s Osher Inside-Out concert series with a pre-concert talk by musicologist Kai Christiansen.

 

Passamezzo Moderno to record and produce a CD of previously unknown 17th century instrumental music by Johann Michael Nicolai. The CD will include 8 trio sonatas from Nicolai’s Erster Teil Instrumentalishcer Sachen in addition to quartet sonatas by three of his contemporaries.

 

Ramon and Jessica composers Dina Maccabee and Jesse Olsen Bay to compose a new vocal chamber work based on the 1939 children’s book, The World is Round. The ensemble will perform the new work with other guest artists at the Songbird Festival in early 2014 at the Community Music Center in San Francisco.

 

Redwood Arts Council to present the Real Vocal String Quartet in their “Chamber Music Occidental” series.  The artists will present a program designed to build a bridge between traditional classic chamber music audiences and younger more diverse audiences.

 

Santa Cruz Baroque Festival to commission Robert Strizich to create a new work for the festival’s resident early instrument ensemble Lux Musica, to be performed in a public concert in the spring of 2014 at the festival.

 

The Farallon Recorder Quartet to develop and present a program for recorder quartet of music from Spain and Colonial era South America in collaboration with recorder player Claudia Liliana Gantivar.

 

Thingamajigs Performance Group to collaborate with Korean-American performance artist and writer Sasha Horn to create and perform a new, multidisciplinary performance work entitled “Solvitur Ambulando” (it is solved by walking).

 

VidyA saxophonist/composer Prasant Radhakrishnan to compose a new work that combines American jazz and South Indian classical traditions to be performed at various venues in Fall 2013.

 

Vijay Anderson’s Touch and Go Sextet to mix and master a live recording of Anderson’s compositions from their performance at the Novara Jazz Festival in Italy in 2012.

Wooden Fish Ensemble to commission Korean born composer Hyo-shin Na to write a series of four pieces for koto (Japanese zither) and kayageum (Korean zither) to be performed at Old First Concerts in February 2014.

2012 - MGP Awards

Agave Baroque to record an album of works by Bohemian virtuoso violinist and composer Heinrich Biber, entitled “The Otherworldly Fiddler: the sacred and the profane meet at Heinrich Biber’s musical table.”  

 

Berkeley Chamber Performances to present the San Francisco based Lee Trio as part of its 2012-2013 season.  The program will include the world premier of Laurence Rosenthal’s “Heptad”.

 

Bernal Hill Players to commission composer Guillermo Galindo to write a piece based on the theme “Neighborhoods in Mexico City”. These works will be performed, along with other Latin American compositions, in five different Bay Area venues.

 

The Beth Custer Ensemble to perform their original live music to a silent film score from the Soviet Eccentric Cinema movement at the Bernal Heights Outdoor Cinema Festival in August, 2012.  The event includes pre and post concert educational activities.

 

Cascada de Flores to engage a graphic designer to oversee the production of a new CD, promotional materials and a new website. The CD will be used as a marketing tool for touring.

 

Cello Bazaar to produce two integrated food/music presentations (“edible concerts”) at the Brava Theater, featuring Solstice, Amy X Neuburg, and Hannah Addario-Berry in a performance of “Fill as Desired” for women’s voices and live looping electronics, in collaboration with local culinary artists.

 

Clerestory to produce public concerts of “SeaSongs” that span the choral repertory of ocean and voyage-themed music in cross-promotional anticipation of the arrival of the America’s Cup yacht races and the San Francisco Opera’s staging of “Moby Dick”.  

 

Composers, Inc. to present the Cypress String Quartet for a performance of new American music by composers Elena Rueher, Kevin Puts and George Tsontakis as part of the Old First Concerts series during their 2012- 2013 season.

 

Dave Rocha Jazz Group to perform at five different Bay Area libraries where funds are not available to pay for performances, enabling audiences to hear high-quality jazz for free.  

 

Gojogo to fund composition (by the four members of the ensemble) and demo recording fees for the first stage of their concept album project.  The CD will help promote their music which combines Western classical and jazz sounds with the rhythmic traditions of India.

 

Kat Parra to record a CD, promote and present concerts featuring her composition –  “Las Aventuras de Pasion” – a musical adventure combining voice, instruments and rhythms based on Sephardic songs.

 

Left Coast Chamber Ensemble to present, in fall 2012, performances of Kurt Rohde’s “Artifacts”, a work scored for five musicians that addresses the passage of time, the reconstruction of memories and also features spoken and sung parts as well as projection of original images.

 

Lisa Mezzacappa’s Bait & Switch, to produce and publicize a new recording of original music and arrangements by Mezzacappa. The works draw inspiration from avant-garde jazz, garage rock and folk music of the French Caribbean.

 

Mill Valley Chamber Music Society to present the Ives String Quartet with cellist Bonnie Hampton during part of their regular series in March of 2013.  The ensemble will perform Schubert’s Quintet in C Major.  

 

Music at the Mission to present Quinteto Quilombo in the concert “Tango Apasionado”, tracing the musical history of tango from its Buenos Aires roots to modern times.

 

Musica Pacifica to address its organizational and financial health by hiring consultants to update their internal procedures as well as help them assess their future with respect to fundraising needs for future projects.

 

Nonsemble Six to present Schoenberg’s Pierre Lunaire with a slideshow introduction and projected subtitles, costumes, makeup, stage direction and lighting effects to present a complete staged, cabaret-like experience for the audience.

 

Outsound Presents to present the 11th annual Outsound New Music Summit, a week-long festival that showcases world premieres and exclusive debuts of innovative new music.  They will present a world premiere by local guitarist John Shiurba and his 9:9 ensemble featuring Matt Ingalls and Lara Bruckmann.

 

Quinteto Latino to produce a weekend festival of Latin American classical music consisting of two performances, a panel discussion and a reception at Old First Concerts in San Francisco.  The Musical Art Quintet will join Quinteto Latino to premiere a nonet by Puerto Rican-born composer Roberto Sierra.

 

Real Vocal String Quartet to produce a CD of new compositions and arrangements, documenting the artistic development of the ensemble.

 

Sqwonk to record and release an album called “Sqwonk +”, consisting of recent compositions by Sqwonk and other Bay Area ensembles, including, Amy X Neuburg, ZOFO piano duo, Nonsemble 6, the Living Earth Show, Real Vocal String Quartet and Rootstock Percussion.

 

Thingamajigs to present the William Winant Percussion Group to perform music by Lou Harrison on his original instruments in a special concert for the 15th Annual Music for People & Thingamajigs Festival.

 

Veretski Pass to commission ensemble member Josh Horowtiz to create a programmatic tone poem representing Easter European Jewish superstitions, interacting with ensemble improvisation.  Material will be gathered from interviews with older adults who lived in pre World War II Eastern Europe.

 

Voices of Music to fund their “Great Artists” concert (part of their regular concert series) to be presented in October 2012, featuring cornetto player Bruce Dickey in combination with the ensembles’ regular players

 

ZOFO duet to commission Bay Area composer Kurt Rohde to write a 12 minute piece for one-piano-four-hand and a 1 minute amateur companion piece for the same formation.  ZOFO will premier the pieces in the spring of 2014.

2011 - MGP Awards

Tacet

2010 - MGP Awards

Archetti Baroque String Ensemble to make their first commercial CD recording on the Centaur label, featuring Italian violin concerti for 2 to 4 violins by Vivaldi, Torelli, and Locatelli.

Berkeley Chamber Performances to present ZOFO (internationally acclaimed piano duet, Keisuke Nakagoshi and Eva‐Maria Zimmermann) in their 2011‐2012 season.

The Bernal Hill Players to continue an on‐going project, “San Francisco: In and About the City”, pieces written by local composers on the theme of ‘Neighborhoods of San Francisco’, which are performed at traditional and non‐traditional venues, and to make a CD of these pieces to help promote the group.

Bridge Chamber Virtuosi to establish BCV as a prominent Bay Area ensemble, seeking to bring new contemporary music by prominent Asian American composers to local and international audiences, through the production and distribution of their first CD of works by Dohnanyi, Chen Yi, Lei Liang and Bright Sheng.

Cançonier to increase local audience and the ensemble’s visibility in the Bay Area, by adding additional performances and improving financial remuneration for the ensemble’s direction.

Darren Johnston Quintet (+ chorus) to compose a song cycle of eight pieces for the quintet, derived from letters written by immigrants to the U.S., describing their experiences.

Ensemble Mirable to in funding a recording of rarely heard works of the German and Italian Baroque, including works by Becker, Buxtehude, Uccellini, Bononcini, Erlebach, Rosenmuller and Vivaldi.

Erik Jekabson to create more recording and performing opportunities by recording and producing a CD of compositions based on artwork of the de Young Museum, and drawing attention to the museum and its connection to the Bay Area music scene.

Farallon Recorder Quartet to develop and present two performances of a program of Medieval and Renaissance music for recorder quartet, soprano, and lute.

Galax Quartet to premiere a new string quartet commissioned from the composer W. A. Mathieu for the unique instrumentation of the ensemble (two violins, viola da gamba and cello) to be premiered in May 2011.

San Francisco Friends of Chamber Music – Musical Grant Program Report 2010 – Awards 2010 – 1 / 3

San Francisco Friends of Chamber Music Report to the Clarence E. Heller Charitable Foundation

Grupo Falso Baiano to assist in post‐production, pressing and release of their second CD of Brazilian choro music: “Simplicidade: Live at Yoshi’s”.

Heather Klein’s Inextinguishable Trio to promote and expose audiences to the Yiddish classical art song through The Yiddish Art Song Project.

Hemispheres to present a concert “Shorter Moments ‐ A Tribute to Wayne Shorter,” in honor of the saxophonist/composer, who contributed so much to the evolution of jazz.

Kat Parra and The Sephardic Music Experience to present “Las Aventuras de Pasíon”, a new concert length program addressing different stages of love, and other experiences associated with love, through Sephardic songs.

Left Coast Chamber Ensemble to commission Luciano Chessa to write a quintet inspired by the Peralta Hacienda, Oakland’s historical birthplace, and introduces Left Coast to a new audience in Fruitvale’s under‐served neighborhood.

martha & monica to commission composer, Matt Ingalls, to compose a substantial new work for cello and piano.

Matt Small’s Chamber Ensemble to support production of his third CD with his eponymous Chamber Ensemble, featuring the newest Ensemble member, drummer Micah McClain.

Music at the Mission to present a program exploring how 4 composers (Eric Korngold, Nino Rota, Dmitri Shostakovich, Bernard Hermann) found new ways of expression through the new genre of film: “Crossroads: Intersections of 20th Century Compositions and Film”.

Music Sources to support their 2011/2012 concerts season, presenting 14 concerts illuminating early music from the Medieval, Renaissance and Baroque eras.

New Music Works to present two performances of a concert devoted to the music of Korean American composer, Hyo‐shin Na in San Francisco and Santa Cruz in April 2012.

Nordeson Shelton Duo to produce a CD that will showcase music for percussion and saxophone and serve as a necessary promotional tool for the group.

Outsound Present to present the work of three ensembles at the 10th annual Outsound New Music Summit, and to help fund advertising to highlight the 10th anniversary of the summit.

San Francisco Friends of Chamber Music – Musical Grant Program Report 2010 – Awards 2010 – 2 / 3

San Francisco Friends of Chamber Music Report to the Clarence E. Heller Charitable Foundation

San Jose Chamber Music Society to present to the Silicon Valley/South Valley a public concert by the Cypress String Quartet, featuring guest cellist (from Paris) Gary Hoffman in their 2011‐2012 season.

sfSound to make their first CD on the “Innova” label, entitled “sfSound: Composition and Improvisations”, focusing on the creative work of the members of the ensemble.

Sqwonk to invest in public relations and promotional materials in order to raise the profile of Sqwonk’s 2011‐2012 season.

Switchboard Music Festival to enable production of the annual 8‐hour marathon of music in San Francisco, featuring Bay Area musicians that straddle traditional genre distinctions.

Vinaccesi Ensemble to record a CD of cantatas by their namesake, seventeenth century Italian composer, Benedetto Vinacessi.

The Vnote Ensemble to compose, record, and present a four‐movement new composition, “Suite Jazznera”, a blend of “llanera” music from the plains of Venezuela and North American jazz, and to present this blend of cultures to a larger audience.

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Musical Grant Program2

The Musical Grant Program Start a new music project The Musical Grant Program The Musical Grant Program awards grants to support the creative musical activity of Bay Area performers, composers and presenters whose projects focus specifically on music for the small ensemble.  Congratulations to the 2021 Musical Grant Program Recipients! Meet the 29 recipients below and discover what new projects are soon to come to the Bay Area. 2021 Musical Grant Recipients Past MGP Recipients MGP Applicant Guide MGP Reporting 2022 MGP Recipients The InterMusic SF Musical Grant Program is made possible through support from the San Francisco Grants for the Arts, the Clarence E. Heller Foundation, the William and Flora Hewlett Foundation, and generous individual donors of InterMusic SF. Since 2008, InterMusic SF  has awarded more than $950,000 to help support 321 projects in the Greater Bay Area. Saul Sierra Combo jazz MGP Project Description Saul Sierra Combo will record and premiere a new contemporary jazz composition suite encompassing styles from Brazil, Peru, Venezuela, Mexico, Cuba, and Puerto Rico. Nash Baroque early music, dance MGP Project Description Nash Baroque will collaborate with Dance Through Time on performances of Italian baroque music, dance, and pantomime of the 18th-century Italian theater in May of 2023 at St. Mark’s Lutheran Church, San Francisco and St. Mark’s Episcopal Church, Berkeley. Nicholas Phan Recording Projects classical, vocal MGP Project Description Tenor Nicholas Phan will perform, record & film fourteen tenor arias by Johann Sebastian Bach in venues around San Francisco. Videos will be released as part of a weekly podcast, featuring interviews with musicians, Bach scholars, and audience members. Collaborators for these films will include SF-based musicians Corey Jamason (organ), Elisabeth Reed (cello), and Owen Dalby (violin), as well as the early music ensemble Ruckus, and oboist Debra Nagy. Amateur Music Network Jazz MGP Project Description Amateur Music Network’s Making Music with Destiny Muhammad project will be a two-hour hybrid in-person/online program with the Destiny Muhammad Trio at Little Mission Studio in San Francisco, September 2022. Mo'Fone Jazz MGP Project Description Mo’Fone will record and produce their fourth full-length album featuring compositions by all three members, Jeremy Steinkoler, Larry De La Cruz, Jim Peterson, culminating in an album release performance. Brett Carson new music MGP Project Description Brett Carson will premiere “The Secret Life of the Paramecium,” a new song cycle to be performed by the quartet Paramecia Occulta, consisting of Amy Foote (soprano), Michelle Lee (flutes), Joshua Marshall (saxophones), and Ramon Fermin (electric guitar). Carnatic Crossings contemporary, Indian classical MGP Project Description Carnatic Crossings, led by Sruti Sarathy (Indian classical violin, vocals) and Rohan Krishnamurthy (mridangam, multi-percussion) will compose and record new compositions which capture the sound of the South Asian diaspora in the Bay Area. The new repertoire will feature chants, spoken word, and oral recordings, in addition to Carnatic ragas and rhythms, to be released as a debut EP in Fall 2023. San Francisco International Piano Festival classical MGP Project Description The San Francisco International Piano Festival celebrates its 5th Anniversary season...
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